An Interview with Rose Solari on Dave Farrow's "The Brains Behind It"
Rose sits down with Brain Hackers Magazine founder and CEO, Dave Farrow, to talk about succeeding as a poet.
"[A] thing that is crucial [for up and coming writers] is reading a lot. A professor of mine in college gave me the 100:1 ratio. He said, “You have to read about 100 good poems to write one.” It sounds daunting but it actually makes a kind of sense. I was trained in poetry, I have an MFA in poetry, so when I sat down to write a novel for the first time I knew I had an idea which was too narrative to fit into a poem and that it had to be a novel. One of the things I did was re-read novels I admired in a different way, specifically for structure. This is a really important thing that a beginning writer [should] do. No matter what you’re writing—non-fiction, fiction, poetry—take a couple of books you admire and look at how they’re put together, look at how the chapters are constructed, look at the arc [made] from one section to the next. If you’re doing, as my book had, an historical component, look at how writers who write historical fiction weave their research into the work without making it look clunky. One of my favorite novels is A.S. Byatt’s Possession which [narratively] travels through time periods and [when I was writing A Secret Woman] I literally took her book apart; I took my paper back and pulled it apart and laid out the sections and looked at how she developed the arc of the book. It was as useful as any writing class I’ve ever taken."
More From Rose Solari
In “The Beginning, 1939” Rose Solari’s mastery of recitation is put to the music of her capricious mother and the frantic hopes of her father who wishes to leave “no long, tight pauses for her to fill.” I’ve written before about Rose’s use of swing and rhythmic motifs in her work, elements which are alive in this poem, but what is really mesmerizing to me about “1939” is the musical image toward the end which harbors no pretense of cramming lieder into language, but instead focuses on the very physical act of her mother playing the piano:
Like the cover photo, the poems in Difficult Weather are timeless and—unlike the poems in many first books—extraordinarily mature. Although the narrative voice is generally that of a young woman in her late twenties and early thirties whose subject matter sometimes ranges back to early childhood, these are poems of adulthood: the discovery and endlessly painful rediscovery of human frailty, sexual and emotional betrayal, bad love in all its familial and romantic varieties, memory, and elegy…
Robert Olen Butler loved Rose’s debut work of fiction for its sense of the eternity. This is one of many reasons why all of Rose Solari’s work must be treasured. It plays on life motifs, flips, forms, and languors upon the archetypes formed of human experience. We have spoken previously of Rose’s reverence for the myth in modern day. We even looked before at A Secret Woman’s sense of itself as being both poem and novel…