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Home / home / Hazen Discusses the Comforts of Poetry in Uncertain Times

May 19 2020

Hazen Discusses the Comforts of Poetry in Uncertain Times

In a guest post on The Bookworm, Elizabeth Hazen, author of "Girls Like Us," discusses the power of reading and writing poetry in uncertain times.

Elizabeth Hazen reads from her collection "Girls Like Us" at Baltimore's Atomic Books

In a guest post for the small book review blog, The Bookworm, Elizabeth Hazen discusses the role poetry occupies in her life during uncertain times as with the 2016 inauguration and #MeToo movement, and now the COVID 19 epidemic. She also explains her relationship to her new collection Girls Like Us.

While in her first collection, Chaos Theories, she used "a filter through which to explore my subjects allow[ing her] the distance to be objective," in Girls Like Us Hazen "[didn't' allow [herself] quite as much distance from the subject," adding that:

"After the public discourse about sexual assault and misogyny blew up with Trump’s inauguration and with the onset of #MeToo, many old hurts resurfaced for me, as they did for so many women I know. I had to write through all of this and realized that many poems I had been working on were really about what it is to be a woman in world that expects us to be so many contradictory things. The process of writing these poems, though painful at times, was incredibly empowering, and it is my hope that readers will share in that sense of empowerment."

Read the full blog post HERE

And don't forget, EVERY. SINGLE. BOOK. in the ASP catalog is half-price through the month of may!

Buy Girls Like Us Buy Chaos Theories

Featured Audio: Rose Solari reads “The Beginning, 1939”

January 29, 2019

In “The Beginning, 1939” Rose Solari’s mastery of recitation is put to the music of her capricious mother and the frantic hopes of her father who wishes to leave “no long, tight pauses for her to fill.” I’ve written before about Rose’s use of swing and rhythmic motifs in her work, elements which are alive in this poem, but what is really mesmerizing to me about “1939” is the musical image toward the end which harbors no pretense of cramming lieder into language, but instead focuses on the very physical act of her mother playing the piano:

Mikaela Lefrak Examines the Life of Maryland Poet Laureate, Grace Cavalieri

January 25, 2019

The beloved Grace Cavalieri “contains multitudes” according to Mikaela Lefrak in her newest article from WAMU taking a look at the life and career of the 10th Poet Laureate. And Ms. Lefrak treats her subject with the due respect of a life which cannot be covered succinctly in 500 words. She delivers a reverent tourists’ view of Grace Cavalieri’s life, hitting the big things: her poetry and work ethic, the passing of her husband, Kenneth Flynn, her conversion to Buddhism, and finally her new tenure as Poet Laureate.

Listen to Grace Cavalieri on the Kojo Nnamdi Show

January 23, 2019

Grace Cavalieri’s recent stop at NPR’s The Kojo Nnamdi show is now streamable. Over a substantive 22 minutes, listen to Grace talk about poetry, inspiration, and her plans as the 10th Maryland Poet Laureate.

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