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Home / home / Lit Pub Raves about Hazen’s GIRLS LIKE US in New Review

Jun 11 2020

Lit Pub Raves about Hazen's Girls Like Us in New Review

Hazen's opus gets a well-deserved lauding from rising literary star Nandini Bhattacharya.

Quote: This is poetry in its best form: ineffable interrogator, ethicist and chronicler of human history.

Read the Full Review Buy Girls Like Us More from Bhattacharya

October 2020 was a tough time to release a book. In fact, next to August 1929 and February 2007, October 2020 might have been the worst time to release a book in modern history. Fortunately for Elizabeth Hazen, Girls Like Us has seemed to find staying power in the minds of critics.

Nandini Bhattacharya's new review of the collection sheds special light on the skill and empathy of Baltimore's Hazen, specifically as it pertains to the latent traumas of girlhood in the industrialized world. She writes, "If the legacy of a timeless cri-de-coeur out of the depths by women writers has seemed to become redundant in the last twenty-odd years of post-feminism, then Elizabeth Hazen’s poetry collection titled Girls Like Us is the aesthetic equivalent of pushing the finger back into the unhealed wound: the trauma of girlhood and womanhood in this society as in most others."

In pondering Hazen's use of the natural world and natural sciences in her poetry, Bhattacharya compares Hazen to the "seventeenth-century metaphysical poets who astonished the old world with unimagined similitudes and verisimilitudes plucked out of an unfolding natural world and Natural Philosophy aka Science."

The review ends with an expectation by Bhattacharya that, "Readers of Elizabeth Hazen can expect long years of magic as well as precision-tool craft with words."

Check out the full review here. Buy Hazen's Girls Like Us here*. Read more from Bhattacharya here.

*Girls Like Us is half price through Sunday 6/14 and US shipping is free

“On the Road, Columbia, South Carolina, Spring 1959” A Poem by Reuben Jackson

October 7, 2018

“There’s much said in what’s not said in Reuben Jackson’s poetry. His cleverly sparse style often convincingly veils the complexities of which he writes, just until the poet sharply corrects our deception.” Linda Stiles

Those deceptions Ms. Stiles refers to above often come from Reuben’s use of the child’s point of view. As a child, the narrator, and reader by proxy, is looking up at the absurdity of adult interests and actions with a renewed curiosity. The narrator misses the cut of the barber’s words when asked “aren’t you proud of being negro?” The narrator cannot reason why the neon lights of the roadside motel are fading in the rear-view window, and yet his father seemed once so confident…

New Poem by Reuben Jackson, “Radio Nights”

October 5, 2018

Radio Nights by Reuben Jackson ASP is proud to premier the new Reuben Jackson poem, “Radio Nights.”  From Reuben: As I mentioned during the interview with Rose Solari, my childhood […]

Reuben Jackson Reads his Poem “Second Grade”

October 4, 2018

Reuben Jackson Reads “Second Grade” “Reuben Jackson’s poems are gateways to possible worlds. With the finesse of a real sleight-of-hand artist, he transforms the truly personal—hopes, dreams, desires—into universal memories.” Richard […]

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