Lit Pub Raves about Hazen's Girls Like Us in New Review
Hazen's opus gets a well-deserved lauding from rising literary star Nandini Bhattacharya.
October 2020 was a tough time to release a book. In fact, next to August 1929 and February 2007, October 2020 might have been the worst time to release a book in modern history. Fortunately for Elizabeth Hazen, Girls Like Us has seemed to find staying power in the minds of critics.
Nandini Bhattacharya's new review of the collection sheds special light on the skill and empathy of Baltimore's Hazen, specifically as it pertains to the latent traumas of girlhood in the industrialized world. She writes, "If the legacy of a timeless cri-de-coeur out of the depths by women writers has seemed to become redundant in the last twenty-odd years of post-feminism, then Elizabeth Hazen’s poetry collection titled Girls Like Us is the aesthetic equivalent of pushing the finger back into the unhealed wound: the trauma of girlhood and womanhood in this society as in most others."
In pondering Hazen's use of the natural world and natural sciences in her poetry, Bhattacharya compares Hazen to the "seventeenth-century metaphysical poets who astonished the old world with unimagined similitudes and verisimilitudes plucked out of an unfolding natural world and Natural Philosophy aka Science."
The review ends with an expectation by Bhattacharya that, "Readers of Elizabeth Hazen can expect long years of magic as well as precision-tool craft with words."
Check out the full review here. Buy Hazen's Girls Like Us here*. Read more from Bhattacharya here.
*Girls Like Us is half price through Sunday 6/14 and US shipping is free
Fiddlin’ Around in Ireland
Nothing buoys the spirits like a walk along Grafton Street. Gray day or sunny, it’s bright with noise and laughter. Loud “hellos,” babies crying, neighborly gossip, rich brogues and lilting Irish airs float up onto the breeze. Our chosen course allowed for a stroll through St. Stephen’s Green. Sunlight dappled the leafy brakes. Inspired by the moment, Lawrence liberated his fiddle and sawed out a hornpipe. He was joined in his performance by a pair of amorous ducks.
On Grafton street we were immediately surrounded by music. A couple of 9 and 10-year-old boys, Donald Reagon and Paul O’Neill, were delighting passersby with smooth moves on the fiddle and concertina. College students with shaved heads played sitars. Old men played jazz. A guitarist somewhere was plucking out George Harrison tunes and singing, “Here comes the sun, little darlin’ here comes the sun.”
On that musical street there was only one poet—a threadbare character who, for a pound or a punt (Irish pound) or nothing at all, would recite a poem by a poet of one’s choosing. I selected Yeats and was honored with “The Fiddler of Dooney”:
“When I play on my fiddle in Dooney, Folk dance like a wave of the sea . . .”
An Interview with Elizabeth Hazen, Baltimore Poet and Baker Award Finalist
Baltimore poet, Elizabeth Hazen’s first collection of poems is entitled Chaos Theories. Last week the young poet was announced as a finalists for the prestigious Baker Artist Award in literature. We sat down to talk with her about her experience in Baltimore as an artist and what programs like The Baker Awards mean to artists.
Elizabeth Hazen Announced as a Finalist for the 2019 Baker Award
This year, ASP’s own Elizabeth Hazen, author of the poetry collection Chaos Theories, is a finalist for the $10,000 literary honor. Hazen is a Baltimore resident and ardent supporter of the city’s burgeoning arts scene (named by Thrillist and Departures magazines as one of the best arts cities in America). She received her MFA from Johns Hopkins University and currently teaches English at the Calvert School in Baltimore.