Lit Pub Raves about Hazen's Girls Like Us in New Review
Hazen's opus gets a well-deserved lauding from rising literary star Nandini Bhattacharya.
October 2020 was a tough time to release a book. In fact, next to August 1929 and February 2007, October 2020 might have been the worst time to release a book in modern history. Fortunately for Elizabeth Hazen, Girls Like Us has seemed to find staying power in the minds of critics.
Nandini Bhattacharya's new review of the collection sheds special light on the skill and empathy of Baltimore's Hazen, specifically as it pertains to the latent traumas of girlhood in the industrialized world. She writes, "If the legacy of a timeless cri-de-coeur out of the depths by women writers has seemed to become redundant in the last twenty-odd years of post-feminism, then Elizabeth Hazen’s poetry collection titled Girls Like Us is the aesthetic equivalent of pushing the finger back into the unhealed wound: the trauma of girlhood and womanhood in this society as in most others."
In pondering Hazen's use of the natural world and natural sciences in her poetry, Bhattacharya compares Hazen to the "seventeenth-century metaphysical poets who astonished the old world with unimagined similitudes and verisimilitudes plucked out of an unfolding natural world and Natural Philosophy aka Science."
The review ends with an expectation by Bhattacharya that, "Readers of Elizabeth Hazen can expect long years of magic as well as precision-tool craft with words."
Check out the full review here. Buy Hazen's Girls Like Us here*. Read more from Bhattacharya here.
*Girls Like Us is half price through Sunday 6/14 and US shipping is free
Throwing in the Tao; James J. Patterson’s New Essay Appears in Henry Miller Journal
The full title of James J. Patterson’s new essay which appears in Nexus: The International Henry Miller Journal is “Throwing in the Tao: Henry Miller as Life Coach, Literary Instructor, and Spiritual Guide”
Joseph Ross Reviews “let the dead in”
Poet and critic, Joseph Ross, tackles the wrinkles and crevasses of Saida Agostini’s maverick debut poetry collection, let the dead in.
Saida Agostini Publishes Poem in Perugia
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