TLR Delivers a Stellar Review of GIRLS LIKE US
Michael Quinn of TLR traces the arc of Elizabeth Hazen's new collection "The Last Girl" and discovers the ways in which "Absence asserts permanence."
A new review this week from The Literary Review traces the arc of Elizabeth Hazen's Girls Like Us from a "[focus] primarily on the self, [to] poems [that] are gradually consumed by a responsibility to others, primarily through motherhood and its all-consuming need to provide for and protect."
Motherhood, womanhood, girlhood, addiction, and identity all present themselves in different ways throughout this arc, and Brooklyn-based reviewer Michael Quinn deals deftly with each of them, analyzing bits and pieces of many poems which tell the story of Girls Like Us rather than lingering too long on one or two images. In doing so, Quinn is able to depict Girls Like Us as a book that refuses pigeon-holing and which dares to be complicated and often difficult.
This dedication is evident in Quinn's description of the cover of the collection, a collage by Lindsay Fleming, "Near the girl’s feet, a book lies on the ground with its pages blown open. An adventure awaits: dangerous, scary, exciting, confusing." And, in a more detailed way, it is evident in Quinn's short but revealing analyses of the Hazen's Diagnosis cycle:
'“Diagnosis I,” “Diagnosis II,” and “Diagnosis III” respectively depict three scenes. In the first, an unwell woman is assured by her male doctor that despite her undiagnosed source of pain, there’s nothing wrong with her. In the second, a young virgin’s group of male tormentors becomes her booze-supplying seducers. In the third, the past of a woman at midlife is thrown into relief when a drunk aggressively hits on her. “Girls like / you, he repeated, leaving me / a blank to fill.”'
Featured Poetry: “Winter Funeral” by Elizabeth Hazen
Fully embracing what the lyric mode does best, Hazen provides the readers with brief, intense poems that preserve a suspended moment in time, attempting to record the thought processes and emotions of the speaker much like tree rings reveal drought, heat, and age. With astonishing clarity and concision, Hazen explores the mysteries of our realities—which are ultimately beholden to entropy.
Grace Cavalieri on the Kojo Nnamdi Show Jan 23rd
Recently Governor Larry Hogan announced that Grace Cavlieri, poet, playwright, and long time host of NPR’s The Poet and The Poem, would become Maryland’s next Poet Laureate, succeeding the great Stanley Plumly. Now that she has been inaugurated, one of her first stops is The Kojo Nnamdi show. Kojo Nnamdi has been hosting his show on WAMU for 20 years, so he and Grace are kindred spirits in that regard–Grace has hosted The Poet and The Poem for over 40 years.
A Short Thought on Grace’s Interview with Jorie Graham (by Writer, Nin Andrews)
Nin Andrews is a poet. Most recently of Miss August which is out now from the awesome Cavankerry Press and most notably of the collection, Why God is a Woman. Nin Andrews is also a fan of Grace Cavalieri’s interview with Jorie Graham which she recently extolled over on ITN.