TLR Delivers a Stellar Review of GIRLS LIKE US
Michael Quinn of TLR traces the arc of Elizabeth Hazen's new collection "The Last Girl" and discovers the ways in which "Absence asserts permanence."
A new review this week from The Literary Review traces the arc of Elizabeth Hazen's Girls Like Us from a "[focus] primarily on the self, [to] poems [that] are gradually consumed by a responsibility to others, primarily through motherhood and its all-consuming need to provide for and protect."
Motherhood, womanhood, girlhood, addiction, and identity all present themselves in different ways throughout this arc, and Brooklyn-based reviewer Michael Quinn deals deftly with each of them, analyzing bits and pieces of many poems which tell the story of Girls Like Us rather than lingering too long on one or two images. In doing so, Quinn is able to depict Girls Like Us as a book that refuses pigeon-holing and which dares to be complicated and often difficult.
This dedication is evident in Quinn's description of the cover of the collection, a collage by Lindsay Fleming, "Near the girl’s feet, a book lies on the ground with its pages blown open. An adventure awaits: dangerous, scary, exciting, confusing." And, in a more detailed way, it is evident in Quinn's short but revealing analyses of the Hazen's Diagnosis cycle:
'“Diagnosis I,” “Diagnosis II,” and “Diagnosis III” respectively depict three scenes. In the first, an unwell woman is assured by her male doctor that despite her undiagnosed source of pain, there’s nothing wrong with her. In the second, a young virgin’s group of male tormentors becomes her booze-supplying seducers. In the third, the past of a woman at midlife is thrown into relief when a drunk aggressively hits on her. “Girls like / you, he repeated, leaving me / a blank to fill.”'
Featured Audio: The 2019 Maryland Poet Laureate Reads her Poem “Work is my Secret Lover”
Governor Hogan recently announced Maryland’s ninth Poet Laureate to be the incomparable Grace Cavalieri. In his press conference regarding the announcement he touched on her “lifelong” dedication to poetry, and this precisely is one of those defining characteristics of a great artist. ASP celebrated this aspect of Grace in her Legacy Book, Other Voices, Other Lives which is an atemporal sampling of her entire career to now, from poetry to prose, from plays to interviews with US Poets Laureate. It should come as no surprise to Mr. Hogan nor the careful reader of her works then that she has an almost religious dedication and inescapable fascination with her art and its many ingredients. As you we shall hear, in her poem “Work is my Secret Lover,” Poetry is the muse.
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Featured Audio: Mark A. Pritchard Reads More from “Billy Christmas”
“We have things to discuss” the Christmas tree says to Billy in the dark of the living room after bemoaning its fairy light binds. Billy’s mother is sick in bed, his father is missing, and the pine tree he was given by the charitable proprietor of his local stand is about to thrust him into a magical adventure which will color forevermore how he thinks about family and what it means to be an adult. Hear Mark A. Pritchard dramatize this important scene from his novel, Billy Christmas.