James J. Patterson Reads from MELANIE’S SONG on Latest LFTRR
The new mystery novel by ASP's Joanna Biggar is given the Patterson treatment in Episode 11 of Live from the Reading Room
“Melanie’s Song is an unputdownable, riveting feat of storytelling.”
Set in the era of Woodstock and Watergate, Melanie’s Song centers on a young woman’s mysterious disappearance, and on her friend’s determined search for her.
Melanie, who fled her marriage to a straight-laced classical musician in order to hitch-hike to Woodstock and San Francisco, was last seen at a commune in the California hills. Rumors abound: that she took up with a Black radical; that she had his child; that she and her lover, armed, ran a bank heist a la Patty Hearst; that she developed a mystical gift for spiritual healing; that she died in a possible accidental, possibly staged commune fire.
Trying to sift truth from invention pulls her friend, the young reporter, J.J., into the underbelly of the sexual and social revolutions of the 60s and early 70s, where she encounters corrupt cops, paranoid hippies, activists, mystics, drug-runners,and most astonishingly, Melanie’s own parents. Risking her job, her connections, her life, J.J. follows Melanie’s trail, determined to find out what happened to her once-compliant friend now turned, it seems, into a rebel angel.
Rose Reads, Writing about Art and an UPDATE
On the 12th episode of Rose Reads, Rose Solari goes in-depth on writers writing about writing and art. She reads from her own novel which contains a good deal of beautiful prose about visual art, A Secret Woman, and the extraordinary short work of Richard Peabody as found in The Richard Peabody Reader.
New LFTRR Tackles the Question: Should We Write?
In this episode of Live from the Reading Room, James J. Patterson reads selections from Simone De Beauvoir’s “The Mandarins” and Richard Peabody’s “The Richard Peabody Reader” all in pursuit of the question: Should I write?
The Johns Hopkins Review Publishes two Poems by Elizabeth Hazen
Two poems from Elizabeth Hazen’s new collection Girls Like Us have been published in the spring edition of the esteemed Hopkins Review.