Challenge and Ambition: Rose Solari Releases new Poetry Reviews for WIRoB
Rose Solari's reviews this month focus on four collections that "challenge and stretch the reader’s expectations in terms of content, form, or both."
Rose Solari's reviews this month concern books that "challenge and stretch the reader’s expectations in terms of content, form, or both." This includes Charlotte Pence's vitalizing Code with its centerfold poem written entirely in DNA, Kelvin Corcoran's The Republic of Song with its tributes to the scholar and poet Lee Harwood, Lauren Camp's soft poems based on visual artists of the 20th century in Took House, and the singular obsession with form presented in Peter Kline's Mirrorforms.
As always, Rose Solari writes with generosity and specificity when recounting the challenges and triumphs of each work. It is important also to note something unique to her reviews: her ear for the music of poetry. Solari never leaves the reader wanting for descriptions of concord and discord.
Rose Solari's is a monthly poetry review column for the Washington Independent Review of Books. You can find more of her reviews HERE.
Solari, while an excellent reviewer of poetry, is herself a regarded poet. Check out her work HERE.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”
New Poem by Elizabeth Hazen “Panic Attack” Lands in Failbetter
A new poem by Maryland standout Elizabeth Hazen has been published in the 62nd volume of Failbetter literary journal. The poem, titled “Panic Attack,” is dark and violent.
Attending AWP? Check out Katherine E. Young’s Panel on Women in Translation
Join Katherine E. Young at AWP to discuss women in translation and systems of exclusion.