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Home / home / Hazen Featured in New Article: “Baltimore: Great Poets Live Here”

Nov 11 2020

Hazen Featured in New Article: "Baltimore: Great Poets Live Here"

Poet, Elizabeth Hazen, and her second collection, Girls Like Us, are featured in this Fishbowl article exploring the poets of Baltimore

Elizabeth Hazen reads from her collection "Girls Like Us" at Baltimore's Atomic Books
Elizabeth Hazen reads from her collection "Girls Like Us" at Baltimore's Atomic Books

Poet, Elizabeth Hazen, is featured alongside other notable names in the Baltimore literary scene such as Dora Malech and Steven Leyva in this extolling article from Baltimore Fishbowl writer Jennie Hann.

Elizabeth Hazen, who has written several essays for the Fishbowl, released her latest collection, Girls Like Us, in March right before the upswing of the pandemic. Since then, GLU has received much critical acclaim garnering glowing reviews from publications such as The Literary Review, Lit Pub, and London Grip. Jennie Hann's article praises the feminist commentary of GLU and Hazen's incisive and economic style which "twist[s] the knife yet deeper." An excerpt follows below:

By day, Hazen teaches English at Calvert School. We’re told on good authority that her classes are “lit”—as in, exciting, turned on, ablaze. No accident, then, that Girls Like Us has been described as “poetry on fire.” From the first page, Hazen’s words burst into flame, lingering in the mind with explosive residue long after the book has been shut. Take, for instance, “Devices,” which opens the volume and sets its tone. On the surface, this is a conventional list poem, a series of mnemonics to help students learn poetic terms (also known as “devices”). Dry material? Wait until Hazen strikes the match between her teeth:

­ Assonance
repeats vowel sounds: hot bod, dumb slut, frigid bitch.

Even his line—“Girl, we’ll have a fine time”—
or her refusals—“No! Don’t!”

Just like that, a clever exercise becomes a meditation on the casual misogyny of everyday life and language. We often think of poetic diction as elevated or rarified. Hazen dispels that notion. She writes poetry that’s legible because it’s also real and relate-able. Notice, above, how her carefully chosen slang examples riff on the note sounded by the term’s first syllable (“ass-”). Am I right to think you won’t have any trouble remembering “assonance” from now on?

Read the Full article Purchase Girls Like Us Support the Press

“Poetry in Motion.” An Introduction to Grace Cavalieri

November 18, 2019

Grace Cavalieri has been publishing poetry for over 50 years! But where did she start? And how? This article on the origins of Grace’s poetic career will asnwer just that question and more. This is part 1 of a weeklong series detailing Grace’s life and work as Poet Laureate of Maryland.

“Mind Grenades from a Broken Body” Richard Peabody’s Review of Miles’ Collected Poems

November 15, 2019

Full Title: “Mind Grenades From A Broken Body Or The Surreal Life of the Disciplined Spirit” In this loving tribute to a literary hero, Richard Peabody discusses Josephine Miles’ myriad contribution to the poetics of the mind.

“Princess Daddy” a Story by Richard Peabody

November 14, 2019

I am Princess Daddy complete with tiara and I’m en route to the Princess Planet with Twyla, my 3-year-old whirlwind of a daughter. She has constructed a spaceship out of wooden blocks to transport us. She’s wearing her purple tutu. “Where your tutu daddy?” Good question. One my wife wishes to remedy at the very next thrift sale. My Redskins T-shirt does clash a little with my silver tiara. I wonder just how the guys in section 114 will relate to me if I show up at FedEx dressed like this. Hogette in training?

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