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Home / home / Hazen Featured in New Article: “Baltimore: Great Poets Live Here”

Nov 11 2020

Hazen Featured in New Article: "Baltimore: Great Poets Live Here"

Poet, Elizabeth Hazen, and her second collection, Girls Like Us, are featured in this Fishbowl article exploring the poets of Baltimore

Elizabeth Hazen reads from her collection "Girls Like Us" at Baltimore's Atomic Books
Elizabeth Hazen reads from her collection "Girls Like Us" at Baltimore's Atomic Books

Poet, Elizabeth Hazen, is featured alongside other notable names in the Baltimore literary scene such as Dora Malech and Steven Leyva in this extolling article from Baltimore Fishbowl writer Jennie Hann.

Elizabeth Hazen, who has written several essays for the Fishbowl, released her latest collection, Girls Like Us, in March right before the upswing of the pandemic. Since then, GLU has received much critical acclaim garnering glowing reviews from publications such as The Literary Review, Lit Pub, and London Grip. Jennie Hann's article praises the feminist commentary of GLU and Hazen's incisive and economic style which "twist[s] the knife yet deeper." An excerpt follows below:

By day, Hazen teaches English at Calvert School. We’re told on good authority that her classes are “lit”—as in, exciting, turned on, ablaze. No accident, then, that Girls Like Us has been described as “poetry on fire.” From the first page, Hazen’s words burst into flame, lingering in the mind with explosive residue long after the book has been shut. Take, for instance, “Devices,” which opens the volume and sets its tone. On the surface, this is a conventional list poem, a series of mnemonics to help students learn poetic terms (also known as “devices”). Dry material? Wait until Hazen strikes the match between her teeth:

­ Assonance
repeats vowel sounds: hot bod, dumb slut, frigid bitch.

Even his line—“Girl, we’ll have a fine time”—
or her refusals—“No! Don’t!”

Just like that, a clever exercise becomes a meditation on the casual misogyny of everyday life and language. We often think of poetic diction as elevated or rarified. Hazen dispels that notion. She writes poetry that’s legible because it’s also real and relate-able. Notice, above, how her carefully chosen slang examples riff on the note sounded by the term’s first syllable (“ass-”). Am I right to think you won’t have any trouble remembering “assonance” from now on?

Read the Full article Purchase Girls Like Us Support the Press

Rose Solari Came of Age as Teacher at “The Writer’s Center”

September 24, 2019

In this short essay, Rose Solari muses on her time as a teacher working in the early ’90s at Bethesda’s up and coming “The Writer’s Center”, and on how a recent reconciliation led our 2019 book launch back to The Center.

Grace Cavalieri and Other MD Poets Honor Stanley Plumly on Midday W/Tom Hall

September 17, 2019

Grace Cavalieri, Elizabeth Spires, and Michael Collier discuss the life and work of former MD Poet Laureate, Stanley Plumly, on WYPR’s Midday with Tom Hall.

“Melodic Recollections of Notable Musicians: Stories from the Stacks” Reuben Jackson on VPR

September 13, 2019

In “Melodic Recollections of Notable Musicians” Reuben spends an hour recalling his adventures and misadventures as curator of the Smithsonian’s Ellington collection. For anyone interested in knowing more about Reuben Jackson and the immense jazz influence in his poetry, this is the place to start.

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