Hazen Featured in New Article: "Baltimore: Great Poets Live Here"
Poet, Elizabeth Hazen, and her second collection, Girls Like Us, are featured in this Fishbowl article exploring the poets of Baltimore
Poet, Elizabeth Hazen, is featured alongside other notable names in the Baltimore literary scene such as Dora Malech and Steven Leyva in this extolling article from Baltimore Fishbowl writer Jennie Hann.
Elizabeth Hazen, who has written several essays for the Fishbowl, released her latest collection, Girls Like Us, in March right before the upswing of the pandemic. Since then, GLU has received much critical acclaim garnering glowing reviews from publications such as The Literary Review, Lit Pub, and London Grip. Jennie Hann's article praises the feminist commentary of GLU and Hazen's incisive and economic style which "twist[s] the knife yet deeper." An excerpt follows below:
By day, Hazen teaches English at Calvert School. We’re told on good authority that her classes are “lit”—as in, exciting, turned on, ablaze. No accident, then, that Girls Like Us has been described as “poetry on fire.” From the first page, Hazen’s words burst into flame, lingering in the mind with explosive residue long after the book has been shut. Take, for instance, “Devices,” which opens the volume and sets its tone. On the surface, this is a conventional list poem, a series of mnemonics to help students learn poetic terms (also known as “devices”). Dry material? Wait until Hazen strikes the match between her teeth:
Assonance
repeats vowel sounds: hot bod, dumb slut, frigid bitch.
Even his line—“Girl, we’ll have a fine time”—
or her refusals—“No! Don’t!”
Just like that, a clever exercise becomes a meditation on the casual misogyny of everyday life and language. We often think of poetic diction as elevated or rarified. Hazen dispels that notion. She writes poetry that’s legible because it’s also real and relate-able. Notice, above, how her carefully chosen slang examples riff on the note sounded by the term’s first syllable (“ass-”). Am I right to think you won’t have any trouble remembering “assonance” from now on?
Earth Day Reflections: To See for the First Time
“Our communications are profuse and immediate, as is our consciousness of the interrelationship of all that exists. We’ve seen what we often leave in our wake—homeless populations, spoiled wilderness. We can see the way the decisions and investments that we make, here, everyday, can effect just how much milk a baby in Uganda gets. Our world is a teeming, mysterious, multi-cultural mousetrap of a place where everything seems to hinge on something else. We share a new concept of this planet as a finite space, dense, and more difficult than ever to navigate. We live in an environment fraught with hazard, and it is important to have good guides, guides with insight—those who tread softly.”
Joanna Biggar’s Picks for NPM (Week 3)
Week three of National Poetry Month is here and we are still celebrating! So as the champagne continues relentlessly foaming for party-goers catching their tipsy mid-air, we asked author, Joanna Biggar, to select three poems she thinks are worthy of applause between wassails.
James J. Patterson’s Picks for NPM (week 2)
In honor of National Poetry Month, We asked author and essayist extraordinaire, James J. Patterson, to select three poems he’d like to see celebrated. Along with Walt Whitman’s “On the Beach at Night Alone” (featured above), he chose Wordsworth’s “The World is too much with Us”, And Last but not least, the famed American Poet Robert Bly performing the poem “On Being a Man” by the famed Spanish poet, Antonio Machado.