Reuben Jackson Makes Banshee Press’ 2020 Best Short Readings List
Jackson's poetry cycle, "Kelly's Love for Waltzes" (published by Boston Review) is chosen by Jaydn Dewald for the year-end list.
THIS YEAR, the Irish publisher, Banshee Press, asked its editors and contributors to pick "their favourite shorter reads of the year." Poet, Jaydn Dewald, whose work has appeared in Banshee and numerous other journals, chose Reuben Jackson's poetry cycle "Kelly's Love for Waltzes" for the list. The cycle was originally published by Boston Review and includes poems that utilize a waltz-like form, each line containing three words.
In "Kelly's Love for Waltzes" Reuben, who achieved considerable recognition for his narrative-driven poetry about lovers Khadijah and Amir, showcases a new voice, that of Kelly, loud and frustrated over racial inequality. Reuben's most recent collection Scattered Clouds features a plethora of his narrative and character-based poetry, and includes of all of his Khadijah and Amir poems. You can pick that up from ASP here.
Scattered Clouds is a volume of lyrical, emotionally forthright meditations on love, loss, and longing. The volume contains the complete text of the author’s award-winning first collection, fingering the keys; his nationally lauded poem, “For Trayvon Martin”; and his suite of ruminations on a long-time and deeply missed friend, the late barbershop owner Amir Yasin, and his widow Khadijah Rollins. These poems, exploring Amir’s late-life romance with Kadijah, became a national internet sensation.
An introduction by poet Abdul Ali places Jackson in his rightful context as a Black American poetry elder, who has influenced generations of younger poets with his musical wisdom as well as his poetry. Ali is a Cave Canem alum and the author of the poetry collection, Trouble Sleeping.
“On the Road, Columbia, South Carolina, Spring 1959” A Poem by Reuben Jackson
“There’s much said in what’s not said in Reuben Jackson’s poetry. His cleverly sparse style often convincingly veils the complexities of which he writes, just until the poet sharply corrects our deception.” Linda Stiles
Those deceptions Ms. Stiles refers to above often come from Reuben’s use of the child’s point of view. As a child, the narrator, and reader by proxy, is looking up at the absurdity of adult interests and actions with a renewed curiosity. The narrator misses the cut of the barber’s words when asked “aren’t you proud of being negro?” The narrator cannot reason why the neon lights of the roadside motel are fading in the rear-view window, and yet his father seemed once so confident…
New Poem by Reuben Jackson, “Radio Nights”
Radio Nights by Reuben Jackson ASP is proud to premier the new Reuben Jackson poem, “Radio Nights.” From Reuben: As I mentioned during the interview with Rose Solari, my childhood […]
Reuben Jackson Reads his Poem “Second Grade”
Reuben Jackson Reads “Second Grade” “Reuben Jackson’s poems are gateways to possible worlds. With the finesse of a real sleight-of-hand artist, he transforms the truly personal—hopes, dreams, desires—into universal memories.” Richard […]