Rose Solari Describes Her Favorite Erotic Literary Scene in WIRoB Article
"In Possession, the repressions of time and circumstance explode with a dazzling erotic force."
E.A Aymar's latest article in the Washington Independent Review of Books asks popular authors to review their favorite erotic scenes in novels. As Aymar puts it, "I want something more than 'romantic.'" Fortunately, ASP's own Rose Solari was around to answer the call. her selection: a scene in A.S. Byatt's Possession. Below is an excerpt, but you can read the entire article on the WIRoB site here
“We’re in England in the 1860s. Cristabel LaMotte is a poet of modest reputation and hermit-like tendencies, living with a female companion who is secretly her lover. Randolph Ash is a renowned poet stuck in a sexless marriage with a loving but frigid wife. What begins as a chance meeting develops into an increasingly passionate epistolary relationship. By the time they consummate their love — on a stolen seaside trip — their hunger for each other is at its peak boiling point, fierce and frightening for them and for the reader. A.S. Byatt might not be the first writer to come to mind for hot sex scenes, but in Possession, the repressions of time and circumstance explode with a dazzling erotic force.”
– Rose Solari, author of A Secret Woman
Fiddlin’ Around in Ireland
Nothing buoys the spirits like a walk along Grafton Street. Gray day or sunny, it’s bright with noise and laughter. Loud “hellos,” babies crying, neighborly gossip, rich brogues and lilting Irish airs float up onto the breeze. Our chosen course allowed for a stroll through St. Stephen’s Green. Sunlight dappled the leafy brakes. Inspired by the moment, Lawrence liberated his fiddle and sawed out a hornpipe. He was joined in his performance by a pair of amorous ducks.
On Grafton street we were immediately surrounded by music. A couple of 9 and 10-year-old boys, Donald Reagon and Paul O’Neill, were delighting passersby with smooth moves on the fiddle and concertina. College students with shaved heads played sitars. Old men played jazz. A guitarist somewhere was plucking out George Harrison tunes and singing, “Here comes the sun, little darlin’ here comes the sun.”
On that musical street there was only one poet—a threadbare character who, for a pound or a punt (Irish pound) or nothing at all, would recite a poem by a poet of one’s choosing. I selected Yeats and was honored with “The Fiddler of Dooney”:
“When I play on my fiddle in Dooney, Folk dance like a wave of the sea . . .”
An Interview with Elizabeth Hazen, Baltimore Poet and Baker Award Finalist
Baltimore poet, Elizabeth Hazen’s first collection of poems is entitled Chaos Theories. Last week the young poet was announced as a finalists for the prestigious Baker Artist Award in literature. We sat down to talk with her about her experience in Baltimore as an artist and what programs like The Baker Awards mean to artists.
Elizabeth Hazen Announced as a Finalist for the 2019 Baker Award
This year, ASP’s own Elizabeth Hazen, author of the poetry collection Chaos Theories, is a finalist for the $10,000 literary honor. Hazen is a Baltimore resident and ardent supporter of the city’s burgeoning arts scene (named by Thrillist and Departures magazines as one of the best arts cities in America). She received her MFA from Johns Hopkins University and currently teaches English at the Calvert School in Baltimore.