Attending AWP? Check out Katherine E. Young’s Panel on Women in Translation
"This panel of poet-translators working in Catalan, French, and Russian focuses on the systems of exclusion that permeate the literary culture in this country and the role of translators in amplifying these voices."
Join professional translators Katherine E. Young, Aviya Kushner, Nancy Naomi Carlson, Sharon Dolin, and Andrea Jurjević as they discuss "systems of exclusion which permeate literary culture." This panel at AWP is an important one for Katherine E. Young who has historically translated Russian-language authors experiencing oppression. Her latest translation, Anna Starobinets' Look at Him, is a memoir recounting the treatment of a young woman carrying a terminally ill child.
Katherine E. Young's poetry also contends with gender issues and advocates for female empowerment. Her latest collection, Woman Drinking Absinthe, places the struggles and triumphs of women in historical and modern contexts. The women of these poems, from the naïf who willfully ignores evidence of Bluebeard’s crimes to Manet’s dispirited barmaid at the Folies-Bergère, brush off convention at their peril, even though convention imperils their bodies, their spirits, and their art.
This panel is available to all attendees of the all-digital 2021 AWP conference.
Featured Audio: “Margaret in Oxford,” a Reading by Rose Solari
Robert Olen Butler loved Rose’s debut work of fiction for its sense of the eternity. This is one of many reasons why all of Rose Solari’s work must be treasured. It plays on life motifs, flips, forms, and languors upon the archetypes formed of human experience. We have spoken previously of Rose’s reverence for the myth in modern day. We even looked before at A Secret Woman’s sense of itself as being both poem and novel…
“On the Road, Columbia, South Carolina, Spring 1959” A Poem by Reuben Jackson
“There’s much said in what’s not said in Reuben Jackson’s poetry. His cleverly sparse style often convincingly veils the complexities of which he writes, just until the poet sharply corrects our deception.” Linda Stiles
Those deceptions Ms. Stiles refers to above often come from Reuben’s use of the child’s point of view. As a child, the narrator, and reader by proxy, is looking up at the absurdity of adult interests and actions with a renewed curiosity. The narrator misses the cut of the barber’s words when asked “aren’t you proud of being negro?” The narrator cannot reason why the neon lights of the roadside motel are fading in the rear-view window, and yet his father seemed once so confident…
New Poem by Reuben Jackson, “Radio Nights”
Radio Nights by Reuben Jackson ASP is proud to premier the new Reuben Jackson poem, “Radio Nights.” From Reuben: As I mentioned during the interview with Rose Solari, my childhood […]