New Review of Girls Like Us: The Collection "Bulges with Debilitating Last Lines"
"The surprise-suplex-onto-concrete, knock-the-air-out-of-you kind of debilitating. Hazen is even dastardly enough to look the reader in the eye, then hook them with the very first last line: 'We’ve been called so many things that we are not, we startle at the sound of our own names.'"
In Lannie Stabile's new review of Elizabeth Hazen's second collection Girls Like Us, she raves about the effect of Hazen's "last lines." Girls Like Us, she says, is "bulging with debilitating last lines." Like this one in the opening poem "Devices," that Stabile points to as like a "hook," “We’ve been called so many things that we are not, we startle at the sound of our own names.”
Stabile's review appears in The Poetry Question which seeks to lift the voices of small press poetry. Stabile is the Managing Editor at Barren Magazine and is a member of the MMPR Collective.
Girls Like Us is Hazen's second collection of poems after Chaos Theories (2016).
Rose Solari Came of Age as Teacher at “The Writer’s Center”
In this short essay, Rose Solari muses on her time as a teacher working in the early ’90s at Bethesda’s up and coming “The Writer’s Center”, and on how a recent reconciliation led our 2019 book launch back to The Center.
Grace Cavalieri and Other MD Poets Honor Stanley Plumly on Midday W/Tom Hall
Grace Cavalieri, Elizabeth Spires, and Michael Collier discuss the life and work of former MD Poet Laureate, Stanley Plumly, on WYPR’s Midday with Tom Hall.
“Melodic Recollections of Notable Musicians: Stories from the Stacks” Reuben Jackson on VPR
In “Melodic Recollections of Notable Musicians” Reuben spends an hour recalling his adventures and misadventures as curator of the Smithsonian’s Ellington collection. For anyone interested in knowing more about Reuben Jackson and the immense jazz influence in his poetry, this is the place to start.