New Review of Girls Like Us: The Collection "Bulges with Debilitating Last Lines"
"The surprise-suplex-onto-concrete, knock-the-air-out-of-you kind of debilitating. Hazen is even dastardly enough to look the reader in the eye, then hook them with the very first last line: 'We’ve been called so many things that we are not, we startle at the sound of our own names.'"
In Lannie Stabile's new review of Elizabeth Hazen's second collection Girls Like Us, she raves about the effect of Hazen's "last lines." Girls Like Us, she says, is "bulging with debilitating last lines." Like this one in the opening poem "Devices," that Stabile points to as like a "hook," “We’ve been called so many things that we are not, we startle at the sound of our own names.”
Stabile's review appears in The Poetry Question which seeks to lift the voices of small press poetry. Stabile is the Managing Editor at Barren Magazine and is a member of the MMPR Collective.
Girls Like Us is Hazen's second collection of poems after Chaos Theories (2016).
Anne Lamott and Jasmin Darznik Share their thoughts on Navigating the Divide
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The Contemporary Poets and Musicians on Reuben Jackson’s Mind
On Tuesday we ran an article featuring two glowing blurbs for Reuben Jackson’s latest poetry collection Scattered Clouds. They came from two young stalwarts of the American poetry community: National Book Award winner, Terrance Hayes, and Maryland’s own Abdul Ali, author of Trouble Sleeping. In honor of Reuben’s devoted following from within the young-blooded poetry vanguard, and for the sake of utilizing his deep insider knowledge of jazz and its many contemporary standouts (Reuben was curator of the Ellington Collection at the Smithsonian for twenty years), we asked Reuben to recommend and comment on three contemporary poets and three contemporary jazz musicians he admires.
Terrance Hayes and Abdul Ali Share their Thoughts on “Scattered Clouds”
What do National Book Award winner, Terrance Hayes, and Poet, Abdul Ali, have to say about Reuben Jackson’s new poetry collection, “Scattered Clouds?”