New Review of Girls Like Us: The Collection "Bulges with Debilitating Last Lines"
"The surprise-suplex-onto-concrete, knock-the-air-out-of-you kind of debilitating. Hazen is even dastardly enough to look the reader in the eye, then hook them with the very first last line: 'We’ve been called so many things that we are not, we startle at the sound of our own names.'"
In Lannie Stabile's new review of Elizabeth Hazen's second collection Girls Like Us, she raves about the effect of Hazen's "last lines." Girls Like Us, she says, is "bulging with debilitating last lines." Like this one in the opening poem "Devices," that Stabile points to as like a "hook," “We’ve been called so many things that we are not, we startle at the sound of our own names.”
Stabile's review appears in The Poetry Question which seeks to lift the voices of small press poetry. Stabile is the Managing Editor at Barren Magazine and is a member of the MMPR Collective.
Girls Like Us is Hazen's second collection of poems after Chaos Theories (2016).
Throwing in the Tao; James J. Patterson’s New Essay Appears in Henry Miller Journal
The full title of James J. Patterson’s new essay which appears in Nexus: The International Henry Miller Journal is “Throwing in the Tao: Henry Miller as Life Coach, Literary Instructor, and Spiritual Guide”
Joseph Ross Reviews “let the dead in”
Poet and critic, Joseph Ross, tackles the wrinkles and crevasses of Saida Agostini’s maverick debut poetry collection, let the dead in.
Saida Agostini Publishes Poem in Perugia
Saida Agostini’s “An Incomplete Legend on Love” first appears in her debut poetry collection let the dead in. Perugia Press, who is doing a feature on exceptional, emerging BIWOC poets and artists, have republished “An Incomplete Legend on Love” on their website, featuring a bio of Agostini and information on let the dead in.