“Persuasive” Woman Drinking Absinthe explores “Illicit Love” in New Review from Compulsive Reader
Charles Rammelkamp delivers a witty and erudite review of Katherine E. Young's opus.
In his new review of Katherine E. Young's Woman Drinking Absinthe, Charles Rammelkamp delivers a write-up worthy of its subject. With careful erudition, and no lack of wit, he mines Katherine's beautiful and heartbreaking poesy about "illicit love" for words of affirmation.
"Love, indeed, is the overarching theme of this remarkable collection," writes Charles. And he shows how this recurring theme speaks throughout the book, pointing to the "conflict between marriage and desire," in the early poems, the link between "sex and violence" in poems like "Bluebeard," and the "demimonde of women in the midst of affairs of the heart" as in "A Bar at the Folies-Bergère" and many others.
In these depictions, Charles writes that, "Woman Drinking Absinthe is unflinchingly honest and lyrical."
Read the entire review here.
Reuben Jackson Joins WPFW’s “The Sound of Surprise”
Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.
A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB
Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”