David Downie Discusses “Red Riviera” with Don George
A discussion about Italy, globetrotting, and crime from two of travel writing's greatest minds.
Its jaws open wide, a firefighting seaplane skims the glittering Gulf of Portofino on Italy’s jagged Ligurian coast, scooping up seawater, unlucky anchovies and a lone swimmer named Joe Gary. The superrich, retired Italian-American spook has mob connections and a dirty political past. Has he been snatched by accident or murdered?
Red Riviera is Commissioner Daria Vinci’s first investigation, a wild roller-coaster ride from the tangled trails of the Cinque Terre to glamorous Portofino and roughneck, roistering Genoa. It’s a Riviera made red by riotous bougainvillea—and the blood spilling from bags stuffed with butchered bodies.
Half-American, Daria Vinci is an outsider, the unlikely rising star of Genoa’s secretive Special Operations Directorate DIGOS. In Red Riviera, she must face down a Fascist police chief and fanatical coup-plotter, the CIA’s creepy local mastermind, a former World War Two Spitfire fighter pilot, and a plucky hundred-year-old marquise whose memory is as long as it is vengeful. If you like Aurelio Zen, Aimee Leduc, and Inspector Brunetti, you won’t be able to put down this captivating first adventure of Commissioner Daria Vinci.
Reuben Jackson Joins WPFW’s “The Sound of Surprise”
Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.
A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB
Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”