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Home / home / GARGOYLE and beyond, GAS interviews Richard Peabody

Aug 20 2021

GARGOYLE and beyond, GAS interviews Richard Peabody

Beloved DC standby, Richard Peabody, discusses the evolution and future of his lit mag, Gargoyle

Richard Peabody with poet, Rita Dove
Richard Peabody with poet, Rita Dove

GAS: Poetry, Arts, and Music interviews DC legend, Richard Peabody about his long-running underground literary magazine, Gargoyle.

Read the full interview HERE.

You can find more from Richard Peabody in Alan Squire Publishing's first book in its legacy Series, The Richard Peabody Reader. The Richard Peabody Reader is a wide-ranging selection of this great writer’s poetry and prose, filling an important gap in the literary world. As a publisher, Peabody’s steadfast dedication to that which is new, challenging, innovative and dynamic has won him a wide reputation among writers whose work he has championed. This volume demonstrates those same values, embodied in nearly four decades of fiercely smart, sophisticated, and often very funny writing.

Reuben Jackson Joins WPFW’s “The Sound of Surprise”

April 13, 2021

Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.

A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB

March 31, 2021

Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.

New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”

March 24, 2021

In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”

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