Rose Solari to Debut New Poetry at LitBalm Reading
At September 4th's LitBalm reading series, Rose Solari will debut new poetry. She is joined by Linda Pastan and Jean Nordhaus.
As part of the Lit Balm Reading Series, Rose Solari will debut several new poems concerning music, from Coltrane to Jackson Browne to Shirley Horne. The Reading will take place virtually on September 4th at 5pm and is free to all. Find out more HERE.
Solari is no stranger to writing poetry about music. Her most recent full-length collection, The Last Girl, includes a poem after Charles Mingus, "Myself when I was There." You can read this poem at the Redux Lit Journal HERE.
Lit Balm is a biweekly interactive livestream reading series which includes readings, Q&As, open mics, and more. For this reading, Solari will be joined by poetry heavyweights Linda Pastan, Jean Nordhaus, and Karren Alenier. Interesting factoid: Alenier’s 2002 collection Looking for Divine Transportation was published by none other than Grace Cavalieri’s The Bunny and the Crocodile Press who also Published Solari’s sophomore collection Orpheus in the Park. Alenier won the coveted Towson University Prize for Literature for that collection.
More about the reading HERE.
Reuben Jackson Joins WPFW’s “The Sound of Surprise”
Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.
A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB
Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”