Elizabeth Hazen Interviews Dean Smith, Author of Baltimore Sons
Elizabeth Hazen sits down with fellow Baltimore poet Dean Smith for the Baltimore Fishbowl
Introduction authored by Elizabeth Hazen for the Baltimore Fishbowl:
"Dean Bartoli Smith’s second poetry collection, Baltimore Sons, paints a brutally honest portrait of Charm City – a place bursting with personality and charm, but also marred by poverty and violence. In these poems, readers will find neighborhoods filled with vibrant people who, along with the city itself, have shaped the speaker’s perspective.
Smith’s poems range from snapshots of childhood pastimes and homages to iconic Baltimoreans to missives about gun violence and even poems from the weapons’ perspectives. Despite the grit and realism in his work, Smith never despairs, instead highlighting the humanity that ultimately redeems the city and its residents. According to Smith, 'No one really knows what to make of native Baltimoreans. The city remains a wildcard that’s hard to define,' but through these poems, Smith has certainly given us a powerful representation.
A Baltimore native with a background in reporting and a journalistic eye for detail, Smith has written a collection that is accessible, heartbreaking, and 'the most painful love letter I’ve ever written.'"
Reuben Jackson Joins WPFW’s “The Sound of Surprise”
Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.
A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB
Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”