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Home / home / Saida Agostini Discusses her New Collection with Paul T Corrigan

Feb 09 2022

Saida Agostini Discusses her New Collection with Paul T Corrigan

Poet, Saida Agostini, goes in-depth with Paul T Corrigan about her new collection Let the Dead in (ASP 2022)

Order let the dead in Follow Saida on Twitter

Saida Agostini's new collection, let the dead in, will launch on March 26th, 2022. You can pre-order your copy here. Also, catch her and others at AWP (booth 762), and see her read from her work on March 25th at the Asian Art Initiative (a short walk from AWP). You can follow Saida on Twitter here.

Paul T. Corrigan is a Visiting Assistant Professor of English & Writing at the University of Tampa and the poetry editor for The Tampa Review. He shares his own and other’s work at Teaching & Learning in Higher Ed. and Corrigan Literary Review. You can find him on Facebook,  Twitter, and LinkedIn.

Reuben Jackson Joins WPFW’s “The Sound of Surprise”

April 13, 2021

Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.

A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB

March 31, 2021

Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.

New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”

March 24, 2021

In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”

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