Saida Agostini's “let the dead in” Featured in Ms. Magazine
Saida Agostini's debut collection of poems receives a glowing recommendation from Ms. Magazine in three words: "Mythology, ancestry, triumph."
Popular American feminist megazine, Ms. Magazine, shouts out Saida Agostini's much raved about new collection of poems in a listicle posted on April 20th entitled "Poetry for the Rest of Us 2022." With three words, "Mythology, Ancestry, Triumph" Ms. places Agostini's let the dead in among recent poetry standouts like Salmas Sharif's Customs and Aurielle Marie's Gumbo Ya Ya. Ms. Magazine has a long history of supporting female-identifying artists and the editor's whole-hearted support for Agostini's latest is welcome and merited.
Saida Agostini’s first full-length poetry collection, let the dead in, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. Audacious, sensual, and grieving, this work explores how Black women harness the fantastic to craft their own road to freedom. A journey across Guyana, London, and the United States, it is a meditation on black womanhood, queerness, the legacy of colonization, and pleasure. These poems craft a creation story fat with love, queerness, mermaids, and blackness.
Read a poem from let the dead in Here, watch her discuss ltdi Here, and order your copy Here
Reuben Jackson and Rose Solari to Read at the American Poetry Museum
Reuben Jackson and Rose Solari will be reading together at the American Poetry Museum on Dec 14th. But their history of reading together doesn’t start there.
Incoming: Early 2020 will be the first ASP Open Submission Period
This new year, we want your unpublished poetry and novel manuscripts!
A Writer’s Legacy: The Mission Behind the Peabody Reader and The Legacy Series
The small press world can be incredibly difficult for the lifelong writer. To publish your works and to watch them fall into “out of print” status due to the vagaries of an industry is not fair to the author nor their art. That is why ASP is rethinking how to publish writers who’ve established themselves in the independent community.