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Home / home / Elizabeth Hazen Essay Lands in Coachella Review

Jun 08 2022

Elizabeth Hazen Essay Lands in Coachella Review

Elizabeth Hazen's new essay "Click Here to Relive This Memory" explores the warmth and the chill of nostalgia

Click Here to Relive This Memory

" The future brims with uncertainty and violence and harsh colors; it is no surprise that we prefer looking back," writes Elizabeth Hazen in her new essay that contends with a societal and personal obsession with nostalgia. In the course of her essay, she charts her life as a young child devouring handfuls of cereal in front of Saturday morning cartoons, to a young mother mired in a failing marriage, to the struggles and successes of today. Read an excerpt below:

In my inbox, I find the weekly message from Shutterfly: “Your memories from X number of years ago this week.” One click and there is my son, toothless and grinning, face smeared with sweet potato puree. There is a house I no longer inhabit, friends I no longer know, a self I no longer know, a life to which I can never return. The link, “Relive this memory,” a tempting lie.

If I really think about it, though, I must acknowledge the angst and uncertainty of my twenties and thirties, the self-destructive patterns I did not yet recognize, the insecurities that stifled my voice. My nostalgia fades ultimately into more honest reflection on the past, and I fix on what might be a lesson in all this looking back: one day, I will long for the moment I am in right now. I remind myself to pay attention, to savor what I can.

Sometimes I think that, through memory, we build armor, adding layer upon layer like expanding Russian dolls. I see my son’s face hardening, his defenses stronger, and his actions more careful and strategic than they were even a month ago. Sometimes I think the opposite; memory strips us away, like birch bark in a storm, or onion skin, revealing more vulnerable interiors. His face as the Pink Panther dumps laundry soap into the machine, the way his voice changes when he exclaims over pictures of the cat. Likely, it is both, some memories serving to strengthen us and others allowing us to let down our guards and become, if only for a moment, who we once were.

Read the full essay Poetry by Elizabeth Hazen

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After 2015’s That Paris Year which followed a group of young women on their year-abroad at the Sorbonne—their youthful flings as well as their many rites of adulthood— Joanna Biggar is bringing its spiritual sequel Melanie’s Song overseas to her own hometown in the United States. Set in Califonia amid the cultural revolution of the late 60s early 70s, Melanie’s Song, while not a direct sequel to That Paris Year shares many of its characters and its familiar, lavish lyrical style. In MS, J.J., the protagonist of That Paris Year, a young reporter, is on a quest to find her missing friend, Melanie (the archetypal shy scholarly type and another character from TPY) who fled her marriage to a straight-laced classical musician in order to hitch-hike to Woodstock and San Francisco.

What Does Patricia Bracewell Have to Say about “Melanie’s Song”?

July 18, 2019

What does bestselling historical fiction author, Patricia Bracewell, think of Joanna Biggar’s latest novel, “Melanie’s Song”?

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