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Home / home / Elizabeth Hazen Essay Lands in Coachella Review

Jun 08 2022

Elizabeth Hazen Essay Lands in Coachella Review

Elizabeth Hazen's new essay "Click Here to Relive This Memory" explores the warmth and the chill of nostalgia

Click Here to Relive This Memory

" The future brims with uncertainty and violence and harsh colors; it is no surprise that we prefer looking back," writes Elizabeth Hazen in her new essay that contends with a societal and personal obsession with nostalgia. In the course of her essay, she charts her life as a young child devouring handfuls of cereal in front of Saturday morning cartoons, to a young mother mired in a failing marriage, to the struggles and successes of today. Read an excerpt below:

In my inbox, I find the weekly message from Shutterfly: “Your memories from X number of years ago this week.” One click and there is my son, toothless and grinning, face smeared with sweet potato puree. There is a house I no longer inhabit, friends I no longer know, a self I no longer know, a life to which I can never return. The link, “Relive this memory,” a tempting lie.

If I really think about it, though, I must acknowledge the angst and uncertainty of my twenties and thirties, the self-destructive patterns I did not yet recognize, the insecurities that stifled my voice. My nostalgia fades ultimately into more honest reflection on the past, and I fix on what might be a lesson in all this looking back: one day, I will long for the moment I am in right now. I remind myself to pay attention, to savor what I can.

Sometimes I think that, through memory, we build armor, adding layer upon layer like expanding Russian dolls. I see my son’s face hardening, his defenses stronger, and his actions more careful and strategic than they were even a month ago. Sometimes I think the opposite; memory strips us away, like birch bark in a storm, or onion skin, revealing more vulnerable interiors. His face as the Pink Panther dumps laundry soap into the machine, the way his voice changes when he exclaims over pictures of the cat. Likely, it is both, some memories serving to strengthen us and others allowing us to let down our guards and become, if only for a moment, who we once were.

Read the full essay Poetry by Elizabeth Hazen

LWM on Matthew's Show

Linda Watanabe McFerrin Interviewed for Author Matthew Felix’s Video Podcast

November 13, 2018

Author and poet Linda Watanabe McFerrin sat down with Matthew Felix, himself an author of some renown, for Matthew’s video podcast this last weekend. What follows is an in-depth, thoughtful, and often irreverent look at writing, life, travel, and zombies. And more, we get to hear many of the juicy details on Linda’s new Legacy Book due out from ASP in Autumn 2019…

Fact or Fiction

November 9, 2018

…And so it is for me, as I send an invented “namesake” into worlds I know vicariously but haven’t lived—Hollywood and hippies, communes and con artists, Woodstock and the Summer of Love.  In the opening of Melanie’s Song, J.J. is poised at the edge of the Pacific reflecting on where she has been and where she is going. She is endowed with a deep and spiritual connection to a native place we share, but I am also setting her free to fly into her own undiscovered territory.

OVOL in SF

Featured Poetry: “Bluebirds” by Grace Cavalieri

November 6, 2018

Other Voices, Other Lives was my introduction to Grace. Her book sits now on my shelf between The Waves and Duino Elegies, the pages are worn from thumbing-thru, it is dog-eared, destroyed in certain ways well-loved books are destroyed, aged by the eyes, like good denim, but here the creases are black underlines, and the fading is from yellow highlighter and coffee stains. So in honor of, well, my deep admiration for Grace, I’ve picked one of her poems from Other Voices, Other Lives to share. If this is the first encounter with her poetry, welcome, hello, the books page is just yonder up the screen under “books”! If you’ve long been a fan, I think “Bluebirds” is a great poem to share with those who might not yet have been introduced to Grace’s work.

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