James J. Patterson to Write Liner Notes for New Country Rock Record
The North Star Band, formerly managed by ASP's own James J. Patterson, release a new LP, Then and Now
James J. Patterson, famed himself in the music world for his onstage-persona, Jimmy Pheromone, writes the liner notes for the new North Star Band album Then and Now. The North Star Band was formed in the 1970s by Patterson's erstwhile co-writer and co-performer Al Johnson (Al Pheromone). After recording two albums under the Patterson's management, the band went on a long hiatus from which they only recently returned. However, during this period, a third album was recorded but not released.
That recording sessions forms the bedrock of the reunited band's new double LP, Then and Now, which collects the previously unreleased album as well as 10 new songs in a genre the band calls "kick-ass country."
Fortunately, James J. Patterson remains connected with the project. But, instead of managing the band and booking shows, he plies a new talent to helping the boys soar: writing. Since his Jimmy Pheromone days, Patterson has released two books through ASP, a collection of essays (Bermuda Shorts) and a novel (Roughnecks). His newest project, Junk Shop Window, a collection of personal essays, is slated for release in 2023.
An article in the Washington Post details the history and regrouping of the band, and this article features an interview with band members while drawing heavily from Patterson's liner notes. You can find tour info on the band's website here.
Fiddlin’ Around in Ireland
Nothing buoys the spirits like a walk along Grafton Street. Gray day or sunny, it’s bright with noise and laughter. Loud “hellos,” babies crying, neighborly gossip, rich brogues and lilting Irish airs float up onto the breeze. Our chosen course allowed for a stroll through St. Stephen’s Green. Sunlight dappled the leafy brakes. Inspired by the moment, Lawrence liberated his fiddle and sawed out a hornpipe. He was joined in his performance by a pair of amorous ducks.
On Grafton street we were immediately surrounded by music. A couple of 9 and 10-year-old boys, Donald Reagon and Paul O’Neill, were delighting passersby with smooth moves on the fiddle and concertina. College students with shaved heads played sitars. Old men played jazz. A guitarist somewhere was plucking out George Harrison tunes and singing, “Here comes the sun, little darlin’ here comes the sun.”
On that musical street there was only one poet—a threadbare character who, for a pound or a punt (Irish pound) or nothing at all, would recite a poem by a poet of one’s choosing. I selected Yeats and was honored with “The Fiddler of Dooney”:
“When I play on my fiddle in Dooney, Folk dance like a wave of the sea . . .”
An Interview with Elizabeth Hazen, Baltimore Poet and Baker Award Finalist
Baltimore poet, Elizabeth Hazen’s first collection of poems is entitled Chaos Theories. Last week the young poet was announced as a finalists for the prestigious Baker Artist Award in literature. We sat down to talk with her about her experience in Baltimore as an artist and what programs like The Baker Awards mean to artists.
Elizabeth Hazen Announced as a Finalist for the 2019 Baker Award
This year, ASP’s own Elizabeth Hazen, author of the poetry collection Chaos Theories, is a finalist for the $10,000 literary honor. Hazen is a Baltimore resident and ardent supporter of the city’s burgeoning arts scene (named by Thrillist and Departures magazines as one of the best arts cities in America). She received her MFA from Johns Hopkins University and currently teaches English at the Calvert School in Baltimore.