LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
New Poem by Elizabeth Hazen “Panic Attack” Lands in Failbetter
A new poem by Maryland standout Elizabeth Hazen has been published in the 62nd volume of Failbetter literary journal. The poem, titled “Panic Attack,” is dark and violent.
Attending AWP? Check out Katherine E. Young’s Panel on Women in Translation
Join Katherine E. Young at AWP to discuss women in translation and systems of exclusion.
Listen to Katherine E. Young on the Badass Lady-Folk Podcast
Katherine E Young talks about her translation work, her new poetry anthology, and her latest collection of poems Woman Drinking Absinthe