LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
By Eylie Sasajima To celebrate the upcoming release of Junk Shop Window: Essays on Myth, Life, and Literature, on June 6, ASP’s James J. Patterson was interviewed on E. Ethelbert […]
ASP Intern and Washington College Senior Eylie Sasajima on Her First AWP Conference
Along the indifferent corridors / of space, angels could be hiding,” Linda Pastan wrote in her poem “Muse.” ASP honors the legacy of Linda Pastan (1932–2023), a former Poet Laureate of Maryland, who passed away last week. Pastan was the author of the 2018 poetry book A Dog Runs Through It, which won the Towson University Literary Award.