LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
Katherine E. Young Describes Writing of Occasional Poem “Women’s Work” for Swearing-In of Libby Garvey
“What I found was: almost nothing. In fact, I discovered very few recent poems about public service or public servants in general, and no poems celebrating women in public service.”
Reuben Jackson Makes Banshee Press’ 2020 Best Short Readings List
Jackson’s poetry cycle, “Kelly’s Love for Waltzes” (published by Boston Review) is chosen by Jaydn Dewald for the year-end list.
John Doe of Band X Recalls his Time Studying Under Grace Cavalieri
The punk-rocker, like so many others, discovered poetry through Grace Cavalieri. She offers some sound advice for aspiring readers.