LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
WRITTEN IN ARLINGTON, Katherine E. Young Edits Exciting New Anthology of Poetry
The former Poet Laureate of Arlington, VA, Katherine E. Young, curates this collection of contemporary poetry which shines a light on singular art from outside the big city.
Selected Lucille Clifton and Henry Taylor Reviewed by Rose Solari
In her latest review column, Rose Solari tackles the selected poetry of two stalwarts of American letters, Lucille Clifton and Henry Taylor. Solari looks at the continuing legacy of the late Clifton and a Taylor who has chosen the Winnebago over the academy.
“Necromancy Never Pays” Features Rose Solari Poem
The unique literary blog from writer Jeanne Griggs features Solari’s “Somewhere Between Four and Five A.M.”