LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
New LFTRR Tackles the Question: Should We Write?
In this episode of Live from the Reading Room, James J. Patterson reads selections from Simone De Beauvoir’s “The Mandarins” and Richard Peabody’s “The Richard Peabody Reader” all in pursuit of the question: Should I write?
The Johns Hopkins Review Publishes two Poems by Elizabeth Hazen
Two poems from Elizabeth Hazen’s new collection Girls Like Us have been published in the spring edition of the esteemed Hopkins Review.
James J. Patterson Reads from MELANIE’S SONG on Latest LFTRR
James J. Patterson tackles the immaculate prose of author Joanna Biggar on the eleventh episode of Live from the Reading Room.