LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
James J. Patterson Discusses his Favorite Early Feminists on episode 9 of LFTRR
In this episode of Live from the Reading Room, James J. Patterson discusses two of his favorite early feminist icons, Bertha Von Suttner and Adrienne Lecouvreur.
Rose Reads #9 Heralds the Good Works of SFWP
On this special episode of Rose Reads, Rose Solari discusses books from fellow small press, Santa Fe Writer’s Project, run by publisher, Andrew Gifford. Rose reads from two wonderful books, Wendy J. Fox’s If the Ice had Held and eightball by Elizabeth Geoghegan.
Episode 8 of LFTRR Explains the “First Page Test”
James J. Patterson is the reluctant scholar and on this episode of LFTRR he reads the from his essay of the same name. He also reads from books that have passed his “First Page Test” including “Night Train to Lisbon” by Pascal Mercier, “The Great Gatsby” by F. Scott Fitzgerald, “The Muse” by Jessie Burton, “The Tropic of Cancer” by Henry Miller, and “Confessions” by Jean-Jaques Rousseau.