LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
Live from the Reading Room Episode 4 (THE HISTORIES)
In this edition of “Live From the Reading Room”, James J. Patterson reads from three histories, Will and Ariel Durrant’s “The Life of Greece,” Edward Gibbon’s “Decline and Fall of the Roman Empire”, and Leo Damrosch’s “The Club.”
He also reads “The Conjecture Chamber” from his first collection of essays BERMUDA SHORTS
New Review of Scattered Clouds Raves “SC is one I return to again and again”
Reuben jackson recieves another glowing review for his collection “Scattered Clouds.”
Rose Reads Episode 4 (Myths and Retellings)
In this episode of Rose Reads, poet Rose Solari talks re-telling poems – by Louise Gluck, Derek Walcott, Anne Sexton, and herself.