Saida Agostini is Torch literary Arts Featured Artist of July
Torch Literary Arts, a non-profit literary organization with the goal of raising the creative voices of black women writers, has selected Saida Agostini as their featured artist of July. Included in the feature is a sampling of her work and a substantive interview with Saida. Read the entire feature here and find an excerpt of the interview below.
Saida Agostini is a queer Afro-Guyanese poet whose work explores the ways Black folks harness mythology to enter the fantastic. Her first full-length poetry collection, let the dead in, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. You can pick up a copy of let the dead in wherever you buy books, or check out our dedicated shop here
Excerpt from Torch's interview with Saida Agostini
Your writing is rich with images of desire and love but also leans into the realities of pain and injustice. How do these subjects influence your work?
Our bodies were built for pleasure. What a miracle of atoms. I think one of the prevailing tragedies of misogynoir and capitalism is that we as Black folks are constantly pushed to be divorced from our physicality and pleasure. Audre Lorde defines the erotic as a measure between the beginnings of our sense of self and the chaos of our strongest feelings. We have a right to our etiology, our chaos, our power. I want us to know the full scope of our power, and the history of it, what it took, what it continues to take to survive this beast called America. My work seeks to recount these histories, and offer a full-throated vision of Black freedom where our pleasure is never denied.
Reuben Jackson Joins WPFW’s “The Sound of Surprise”
Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.
A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB
Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”