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Home / home / Innisfree Poetry Journal Takes an In-Depth Look at the Career and Works of Grace Cavalieri

Aug 26 2022

Innisfree Poetry Journal Takes an In-Depth Look at the Career and Works of Grace Cavalieri

Untitled design (13)

In their newest edition, Innisfree Poetry Journal, takes a deep dive into the work and career of Grace Cavalieri. The article features thirteen poems by the Maryland Poetry Laureate including many featured in her Legacy Book, Other Voices, Other Lives. The poems are drawn from her historical-literary explorations of the lives of three famous women of vastly different backgrounds: Mary Wollstonecraft, Anna Nicole Smith, and Madame de Stael.

Of her work on Mary Wollstonecraft, the oft-overlooked feminist pioneer and mother of Mary Shelley, Grace writes, "Historians may know what she did, but I knew what she felt."

You can read the entire article and all thirteen poems here. And check them out in Grace's groundbreaking legacy book, Other Voices, Other Lives which includes a selection of poems, plays, and interviews drawn from over forty years of work.

Grace in Innisfree Other Voices, Other Lives

Reuben Jackson Joins WPFW’s “The Sound of Surprise”

April 13, 2021

Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.

A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB

March 31, 2021

Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.

New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”

March 24, 2021

In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”

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