"A wonderfully detailed treat!" Kirkus Reviews David Downie's Long Awaited ROMAN ROULETTE
The American book review magazine and cultural gatekeeper Kirkus Reviews raves about David Downie's new thriller, Roman Roulette, calling it "a wonderfully detailed treat" all while praising it as not just a remarkable thriller but a loving tour of Rome and Italian culture.
Roman Roulette is the continuation of Det. Daria Vinci's adventures first explored in Downie's Red Riviera. A new scene, a new adventure, a new case, follow the intrepid detective to the stunning conclusion of this riveting murder mystery.
For Commissioner Daria Vinci, it was supposed to be a night off, attending a benefit concert for the Institute of America in Rome. But little did the Institute’s wealthy, distinguished guests know that beneath their feet, in the ancient catacombs, a very different kind of gathering was being held. One that would end in murder…
Red Riviera, the first Daria Vinci Investigation, was set on the Italian Riviera. In Roman Roulette, the glamorous and high-principled police commissioner of DIGOS, Italy’s FBI, must investigate what at first seems a simple case of suicide and in so doing attracts the attention of her boss, the Questor of the Province of Rome. He wants her off the case. Why? Suddenly, Commissioner Daria Vinci must solve the murder in 36 hours, while risking her career and, possibly, her life.
Reuben Jackson Joins WPFW’s “The Sound of Surprise”
Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.
A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB
Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”