“Scattered Clouds by Reuben Jackson is the balm for the sting of ‘real’ American life”
In the lastest review of "Scattered Clouds" Serena Agusto-Cox explores the pain and triumph in Jackson's poetry.
SERENA AGUSTO-COX recently posted a glowing review of Reuben Jackson's poetry collection "Scattered Clouds" on her excellent blog Savvy Verse & Wit.
In her review, Agusto-Cox focuses on the immense tremors of pain that shake the book at its core and on the hope lingering in their aftermath:
"Scattered Clouds by Reuben Jackson is the balm for the sting of 'real' American life, laced with a hope that we can overcome, persevere, and take the lessons we’ve learned from those lost to us and apply them to our future selves to create a better tomorrow. It’s the coverage we need away from the storm without forgetting that storms do come."
She also pays special attention to the fan-favorite Amir & Khadijah Suite, finding hope in Reuben's love ballads.
"It’s Jackson’s song of hope, either for himself or for all of us. His heart is full of love and it is reaching out to us in line after line searching for connection."
Lastly, Agusto-Cox selects her favorite poem from Scattered Clouds to be "Sunday Brunch."
Scattered Clouds is a volume of lyrical, emotionally forthright meditations on love, loss, and longing. The volume contains the complete text of the author’s award-winning first collection, fingering the keys; his nationally lauded poem, “For Trayvon Martin”; and his suite of ruminations on a long-time and deeply missed friend, the late barbershop owner Amir Yasin, and his widow Khadijah Rollins. These poems, exploring Amir’s late-life romance with Kadijah, became a national internet sensation.
A Great Evening at a Great Indie Bookstore (Who are the Wanderland Writers?)
Their latest book Wandering in Cuba; Revolution and Beyond features contributions from several writers detailing their adventures on the Island and the traditional Cuban heroes who have helped make the culture so rich.
Featured Audio: Rose Solari reads “The Beginning, 1939”
In “The Beginning, 1939” Rose Solari’s mastery of recitation is put to the music of her capricious mother and the frantic hopes of her father who wishes to leave “no long, tight pauses for her to fill.” I’ve written before about Rose’s use of swing and rhythmic motifs in her work, elements which are alive in this poem, but what is really mesmerizing to me about “1939” is the musical image toward the end which harbors no pretense of cramming lieder into language, but instead focuses on the very physical act of her mother playing the piano:
Mikaela Lefrak Examines the Life of Maryland Poet Laureate, Grace Cavalieri
The beloved Grace Cavalieri “contains multitudes” according to Mikaela Lefrak in her newest article from WAMU taking a look at the life and career of the 10th Poet Laureate. And Ms. Lefrak treats her subject with the due respect of a life which cannot be covered succinctly in 500 words. She delivers a reverent tourists’ view of Grace Cavalieri’s life, hitting the big things: her poetry and work ethic, the passing of her husband, Kenneth Flynn, her conversion to Buddhism, and finally her new tenure as Poet Laureate.