Hazen Discusses the Comforts of Poetry in Uncertain Times
In a guest post on The Bookworm, Elizabeth Hazen, author of "Girls Like Us," discusses the power of reading and writing poetry in uncertain times.
In a guest post for the small book review blog, The Bookworm, Elizabeth Hazen discusses the role poetry occupies in her life during uncertain times as with the 2016 inauguration and #MeToo movement, and now the COVID 19 epidemic. She also explains her relationship to her new collection Girls Like Us.
While in her first collection, Chaos Theories, she used "a filter through which to explore my subjects allow[ing her] the distance to be objective," in Girls Like Us Hazen "[didn't' allow [herself] quite as much distance from the subject," adding that:
"After the public discourse about sexual assault and misogyny blew up with Trump’s inauguration and with the onset of #MeToo, many old hurts resurfaced for me, as they did for so many women I know. I had to write through all of this and realized that many poems I had been working on were really about what it is to be a woman in world that expects us to be so many contradictory things. The process of writing these poems, though painful at times, was incredibly empowering, and it is my hope that readers will share in that sense of empowerment."
Read the full blog post HERE
And don't forget, EVERY. SINGLE. BOOK. in the ASP catalog is half-price through the month of may!
Remembering W.S. Merwin: Grace Cavalieri’s Two Interviews with the Literary Giant
In 2000, the bicentennial of the Library of Congress, four Poets Laureate were appointed just for the occasion. The four dignitaries were W.S. Merwin, Robert Pinsky, Rita Dove, and Louise Gluck. I was to record one after the other for 4 hours. That first meeting with Merwin was unforgettable, as he arrived for an hour interview without so much as one poem in his hands. Fortunately, I had brought ten books for his signature and we puzzled our way through. He was delighted to recognize some of his first slim published volumes that were out of print, as well as a few collector’s items.
Fiddlin’ Around in Ireland
Nothing buoys the spirits like a walk along Grafton Street. Gray day or sunny, it’s bright with noise and laughter. Loud “hellos,” babies crying, neighborly gossip, rich brogues and lilting Irish airs float up onto the breeze. Our chosen course allowed for a stroll through St. Stephen’s Green. Sunlight dappled the leafy brakes. Inspired by the moment, Lawrence liberated his fiddle and sawed out a hornpipe. He was joined in his performance by a pair of amorous ducks.
On Grafton street we were immediately surrounded by music. A couple of 9 and 10-year-old boys, Donald Reagon and Paul O’Neill, were delighting passersby with smooth moves on the fiddle and concertina. College students with shaved heads played sitars. Old men played jazz. A guitarist somewhere was plucking out George Harrison tunes and singing, “Here comes the sun, little darlin’ here comes the sun.”
On that musical street there was only one poet—a threadbare character who, for a pound or a punt (Irish pound) or nothing at all, would recite a poem by a poet of one’s choosing. I selected Yeats and was honored with “The Fiddler of Dooney”:
“When I play on my fiddle in Dooney, Folk dance like a wave of the sea . . .”
An Interview with Elizabeth Hazen, Baltimore Poet and Baker Award Finalist
Baltimore poet, Elizabeth Hazen’s first collection of poems is entitled Chaos Theories. Last week the young poet was announced as a finalists for the prestigious Baker Artist Award in literature. We sat down to talk with her about her experience in Baltimore as an artist and what programs like The Baker Awards mean to artists.