In a New Interview, Rose Solari Opens up about Publishing and Writing in the era of COVID
"At the beginning of ASP we were told 'You'd be lucky if you made it 3-5 years.'" 10 years and a million trials later, poet and ASP co-founder Rose Solari delivers this extremely honest interview to author Kathy Rampsberger
Author Kathy Rampsberger conducts this incredible digital interview as part of her "Story Hour" series.
It's been months now since the start of the COVID 19 pandemic and much has changed in the landscape of publishing and writing. Always attuned to change and always in conversation with the past, writer and poet Rose Solari discusses the art that matters to now and living through the age of COVID. In this interview you will learn about Rose's writing process, whether she outlines or writes spontaneously, her parents, her ear for music, the work and research that went into her first novel, A Secret Woman, keeping the doors open in the time of a nationwide pandemic, and so much more. This is a candid and emotionally vulnerable interview from one of Maryland's finest women of letters. It is not to be missed.
Blurring the boundaries between past and present, between the body and the spirit, between female and male, A Secret Woman is a sexually-charged adventure through time and space, a profound meditation on the mother-daughter connection, and an enlightening exploration of what it means to make love, to make art, and to make a life worth living.
A Secret Woman is not only a pleasure to read, it is sneaky serious in a way I particularly like. Rose Solari explores the eternal literary theme of self — who we are, who are the ones we love, and how we invent and reinvent these people, trying always to paint ourselves into the vast canvas of life and history. A very promising fiction debut. — Robert Olen Butler, Pulitzer Prize winner, author of Perfume River and Severance
Fiddlin’ Around in Ireland
Nothing buoys the spirits like a walk along Grafton Street. Gray day or sunny, it’s bright with noise and laughter. Loud “hellos,” babies crying, neighborly gossip, rich brogues and lilting Irish airs float up onto the breeze. Our chosen course allowed for a stroll through St. Stephen’s Green. Sunlight dappled the leafy brakes. Inspired by the moment, Lawrence liberated his fiddle and sawed out a hornpipe. He was joined in his performance by a pair of amorous ducks.
On Grafton street we were immediately surrounded by music. A couple of 9 and 10-year-old boys, Donald Reagon and Paul O’Neill, were delighting passersby with smooth moves on the fiddle and concertina. College students with shaved heads played sitars. Old men played jazz. A guitarist somewhere was plucking out George Harrison tunes and singing, “Here comes the sun, little darlin’ here comes the sun.”
On that musical street there was only one poet—a threadbare character who, for a pound or a punt (Irish pound) or nothing at all, would recite a poem by a poet of one’s choosing. I selected Yeats and was honored with “The Fiddler of Dooney”:
“When I play on my fiddle in Dooney, Folk dance like a wave of the sea . . .”
An Interview with Elizabeth Hazen, Baltimore Poet and Baker Award Finalist
Baltimore poet, Elizabeth Hazen’s first collection of poems is entitled Chaos Theories. Last week the young poet was announced as a finalists for the prestigious Baker Artist Award in literature. We sat down to talk with her about her experience in Baltimore as an artist and what programs like The Baker Awards mean to artists.
Elizabeth Hazen Announced as a Finalist for the 2019 Baker Award
This year, ASP’s own Elizabeth Hazen, author of the poetry collection Chaos Theories, is a finalist for the $10,000 literary honor. Hazen is a Baltimore resident and ardent supporter of the city’s burgeoning arts scene (named by Thrillist and Departures magazines as one of the best arts cities in America). She received her MFA from Johns Hopkins University and currently teaches English at the Calvert School in Baltimore.