Former Student Describes Reuben Jackson’s Jazz-infused Poetry Class
“I’m going to play you some John Coltrane,” he said, his voice serious, soft-spoken. “Some people say Coltrane sounds like a bunch of salad,” he continued, “but it’s all in the way he mixes it.” He pressed “PLAY” and told us to write what came to mind.
Miles Liss, who recently graduated with an MFA in poetry from Vermont College of Fine Arts, reflects on his time taking classes under maestro Reuben Jackson in this short essay. You can read the whole thing on Past-Ten here. Read Reuben's poetry here.
In the essay, Liss describes Reuben's unorthodox approach to teaching poetry, specifically his focus on extemporaneous writing in a similar vein to the off-the-cuff soloing and improvisation of jazz musicians. Below is an excerpt:
“I’m going to play you some John Coltrane,” he said, his voice serious, soft-spoken. “Some people say Coltrane sounds like a bunch of salad,” he continued, “but it’s all in the way he mixes it.” He pressed “PLAY” and told us to write what came to mind. Like a silent Miles Davis exiting the stage to give his fellow musicians an opportunity for expression, our instructor left the room.
As Coltrane played, I pressed my pencil against notebook paper and started writing. The words came out in a rush, in rhythms I had already possessed. It felt natural, in a way fiction never did. There was no agonizing over characters, plot charts and index cards. It was pure emotion.
We went around the room, reading our poems. I had two short pieces, riffs on cityscapes, and though I was nervous, I read them aloud. When I looked up, he was watching me, deep in thought and leaning back in his chair. He said nothing. Weeks later, he’d verbalize his praise, but for the time being, the silence spoke. As Miles Davis knew so well, the real music was in the silence.
Reflections on my First AWP; or, Sleepless in SeaTac
ASP Intern and Washington College Senior Eylie Sasajima on Her First AWP Conference
An interview with the late, great Linda Pastan
Along the indifferent corridors / of space, angels could be hiding,” Linda Pastan wrote in her poem “Muse.” ASP honors the legacy of Linda Pastan (1932–2023), a former Poet Laureate of Maryland, who passed away last week. Pastan was the author of the 2018 poetry book A Dog Runs Through It, which won the Towson University Literary Award.
Here’s to 2022! And Here’s a Sale…
2022 was a big year for ASP and our writers. In March, we had a booth at the annual AWP Conference, and our offsite reading, featuring authors Saida Agostini, Dave Housley, Elizabeth Hazen, and Richard Peabody, along with special guests Teri Ellen Cross Davis and Leslie Pietrzyk, had a standing-room-only audience packed with literary stars.