Challenge and Ambition: Rose Solari Releases new Poetry Reviews for WIRoB
Rose Solari's reviews this month focus on four collections that "challenge and stretch the reader’s expectations in terms of content, form, or both."
Rose Solari's reviews this month concern books that "challenge and stretch the reader’s expectations in terms of content, form, or both." This includes Charlotte Pence's vitalizing Code with its centerfold poem written entirely in DNA, Kelvin Corcoran's The Republic of Song with its tributes to the scholar and poet Lee Harwood, Lauren Camp's soft poems based on visual artists of the 20th century in Took House, and the singular obsession with form presented in Peter Kline's Mirrorforms.
As always, Rose Solari writes with generosity and specificity when recounting the challenges and triumphs of each work. It is important also to note something unique to her reviews: her ear for the music of poetry. Solari never leaves the reader wanting for descriptions of concord and discord.
Rose Solari's is a monthly poetry review column for the Washington Independent Review of Books. You can find more of her reviews HERE.
Solari, while an excellent reviewer of poetry, is herself a regarded poet. Check out her work HERE.
A Stirring Tribute: Carmen Nickerson reads Solari’s “Meditation for my Country” During 9/11 Concert
Accomplished singer-songwriter Carmen Nickerson and pianist Kostia Efimov provide an intimate, acoustic set as part of the No Studios unplugged series.
At approximately 42 minutes into the set, Nickerson pauses to acknowledge the date – September 11th – and pulls out a sheet of paper. The poem she reads is Rose Solar’s “Meditation for my Country.”
Grace Cavalieri Releases New Podcast with Jeffrey Lamar Coleman
Grace Cavalieri’s new podcast is off to a strong start. This week’s guest is professor Jeffrey Lamar Coleman, editor of “Words of Protest, Words of Freedom: Poetry of the American Civil Rights Movement and Era.”
Former Student Describes Reuben Jackson’s Jazz-infused Poetry Class
Miles Liss, who recently graduated with an MFA in poetry from Vermont College of Fine Arts, reflects on his time taking classes under maestro Reuben Jackson in this short essay.