Grace Cavalieri Explores “The Exquisite Singularity of Louise Glück” in new Essay
Grace Cavalieri celebrates the life and work of the Nobel Prize winner in this new essay published by The Washington Independent Review of Books
Grace Cavalieri's newest essay from the Washington Independent Review of Books explores the enigmatic poet, former Poet Laureate, and recent Nobel Prize winner, Louise Glück.
Like so many other Poets Laureate, Glück appeared on Grace's podcast, The Poet and the Poem. You can read a transcript of that interview HERE.
An excerpt of Grace's essay is below. Read the full thing over on WIRoB's website. And make sure you pick up Other Voices, Other Lives from the ASP store. OVOL includes poetry, prose, and transcribed interviews with Poets Laureate from throughout Grace's long career in letters.
From 2003-2004, Louise Glück, winner of most major poetry awards, was poet laureate of the United States. Now, in another step forward for womankind, she becomes the 16th woman to win the Nobel Prize in Literature.
Yet Glück is not emblematic or representational of other women, nor other poets. She’s too distinct, diamond-cut, inimitable, and proves that what is written deeply in spirit can become the clarion voice for our time.
And, in fact, the Nobel Committee cites this, “the individual made universal,” in her award, proving what most poetry readers already knew: that Glück is the most sustained voice of our generation.
What is it about her writing, then? What is it to be fully human in language?
She memorializes loss, isolation, rejection in language never quite heard before. If we want to know the size and shape of human heartbreak, we read Glück. She uses ancient myths to write modern narratives — featuring symbolic figures like Joan of Arc, Gretel, and Ulysses — through which to speak of marriage, divorce, childhood, motherhood.
If ever proof were needed that art redeems, transcends, and saves, it is the voice of Louise Glück.
On despair, she said, “I only wished for what I always wish for. Another poem.” We could teach a course in philosophy using her lines. For instance, “Why love what you will lose. There is nothing else to love.”
Remembering W.S. Merwin: Grace Cavalieri’s Two Interviews with the Literary Giant
In 2000, the bicentennial of the Library of Congress, four Poets Laureate were appointed just for the occasion. The four dignitaries were W.S. Merwin, Robert Pinsky, Rita Dove, and Louise Gluck. I was to record one after the other for 4 hours. That first meeting with Merwin was unforgettable, as he arrived for an hour interview without so much as one poem in his hands. Fortunately, I had brought ten books for his signature and we puzzled our way through. He was delighted to recognize some of his first slim published volumes that were out of print, as well as a few collector’s items.
Fiddlin’ Around in Ireland
Nothing buoys the spirits like a walk along Grafton Street. Gray day or sunny, it’s bright with noise and laughter. Loud “hellos,” babies crying, neighborly gossip, rich brogues and lilting Irish airs float up onto the breeze. Our chosen course allowed for a stroll through St. Stephen’s Green. Sunlight dappled the leafy brakes. Inspired by the moment, Lawrence liberated his fiddle and sawed out a hornpipe. He was joined in his performance by a pair of amorous ducks.
On Grafton street we were immediately surrounded by music. A couple of 9 and 10-year-old boys, Donald Reagon and Paul O’Neill, were delighting passersby with smooth moves on the fiddle and concertina. College students with shaved heads played sitars. Old men played jazz. A guitarist somewhere was plucking out George Harrison tunes and singing, “Here comes the sun, little darlin’ here comes the sun.”
On that musical street there was only one poet—a threadbare character who, for a pound or a punt (Irish pound) or nothing at all, would recite a poem by a poet of one’s choosing. I selected Yeats and was honored with “The Fiddler of Dooney”:
“When I play on my fiddle in Dooney, Folk dance like a wave of the sea . . .”
An Interview with Elizabeth Hazen, Baltimore Poet and Baker Award Finalist
Baltimore poet, Elizabeth Hazen’s first collection of poems is entitled Chaos Theories. Last week the young poet was announced as a finalists for the prestigious Baker Artist Award in literature. We sat down to talk with her about her experience in Baltimore as an artist and what programs like The Baker Awards mean to artists.