Grace Cavalieri Explores “The Exquisite Singularity of Louise Glück” in new Essay
Grace Cavalieri celebrates the life and work of the Nobel Prize winner in this new essay published by The Washington Independent Review of Books
Grace Cavalieri's newest essay from the Washington Independent Review of Books explores the enigmatic poet, former Poet Laureate, and recent Nobel Prize winner, Louise Glück.
Like so many other Poets Laureate, Glück appeared on Grace's podcast, The Poet and the Poem. You can read a transcript of that interview HERE.
An excerpt of Grace's essay is below. Read the full thing over on WIRoB's website. And make sure you pick up Other Voices, Other Lives from the ASP store. OVOL includes poetry, prose, and transcribed interviews with Poets Laureate from throughout Grace's long career in letters.
From 2003-2004, Louise Glück, winner of most major poetry awards, was poet laureate of the United States. Now, in another step forward for womankind, she becomes the 16th woman to win the Nobel Prize in Literature.
Yet Glück is not emblematic or representational of other women, nor other poets. She’s too distinct, diamond-cut, inimitable, and proves that what is written deeply in spirit can become the clarion voice for our time.
And, in fact, the Nobel Committee cites this, “the individual made universal,” in her award, proving what most poetry readers already knew: that Glück is the most sustained voice of our generation.
What is it about her writing, then? What is it to be fully human in language?
She memorializes loss, isolation, rejection in language never quite heard before. If we want to know the size and shape of human heartbreak, we read Glück. She uses ancient myths to write modern narratives — featuring symbolic figures like Joan of Arc, Gretel, and Ulysses — through which to speak of marriage, divorce, childhood, motherhood.
If ever proof were needed that art redeems, transcends, and saves, it is the voice of Louise Glück.
On despair, she said, “I only wished for what I always wish for. Another poem.” We could teach a course in philosophy using her lines. For instance, “Why love what you will lose. There is nothing else to love.”
The World of Yesterday (Armistice Day, 2018)
My father always said that his first memory was of standing on the couch in his parent’s living room, small hands on the back cushion, peering out a picture widow at a neighborhood street in Bend, Oregon. There is a slow-moving line of cars and horse-drawn carriages inching its way down the lane. The line of cars is there every day, and every day he stands there and watches. His street is a long one and at the end of it is the cemetery. He is not allowed to go outside to play. Death is all anyone talks about. Death from a great flu epidemic. Death from a great war just ending. Everyone has lost someone. Most have lost a few. It is 1918…
Linda Watanabe McFerrin Interviewed for Author Matthew Felix’s Video Podcast
Author and poet Linda Watanabe McFerrin sat down with Matthew Felix, himself an author of some renown, for Matthew’s video podcast this last weekend. What follows is an in-depth, thoughtful, and often irreverent look at writing, life, travel, and zombies. And more, we get to hear many of the juicy details on Linda’s new Legacy Book due out from ASP in Autumn 2019…
Fact or Fiction
…And so it is for me, as I send an invented “namesake” into worlds I know vicariously but haven’t lived—Hollywood and hippies, communes and con artists, Woodstock and the Summer of Love. In the opening of Melanie’s Song, J.J. is poised at the edge of the Pacific reflecting on where she has been and where she is going. She is endowed with a deep and spiritual connection to a native place we share, but I am also setting her free to fly into her own undiscovered territory.