Hazen Featured in New Article: "Baltimore: Great Poets Live Here"
Poet, Elizabeth Hazen, and her second collection, Girls Like Us, are featured in this Fishbowl article exploring the poets of Baltimore
Poet, Elizabeth Hazen, is featured alongside other notable names in the Baltimore literary scene such as Dora Malech and Steven Leyva in this extolling article from Baltimore Fishbowl writer Jennie Hann.
Elizabeth Hazen, who has written several essays for the Fishbowl, released her latest collection, Girls Like Us, in March right before the upswing of the pandemic. Since then, GLU has received much critical acclaim garnering glowing reviews from publications such as The Literary Review, Lit Pub, and London Grip. Jennie Hann's article praises the feminist commentary of GLU and Hazen's incisive and economic style which "twist[s] the knife yet deeper." An excerpt follows below:
By day, Hazen teaches English at Calvert School. We’re told on good authority that her classes are “lit”—as in, exciting, turned on, ablaze. No accident, then, that Girls Like Us has been described as “poetry on fire.” From the first page, Hazen’s words burst into flame, lingering in the mind with explosive residue long after the book has been shut. Take, for instance, “Devices,” which opens the volume and sets its tone. On the surface, this is a conventional list poem, a series of mnemonics to help students learn poetic terms (also known as “devices”). Dry material? Wait until Hazen strikes the match between her teeth:
Assonance
repeats vowel sounds: hot bod, dumb slut, frigid bitch.
Even his line—“Girl, we’ll have a fine time”—
or her refusals—“No! Don’t!”
Just like that, a clever exercise becomes a meditation on the casual misogyny of everyday life and language. We often think of poetic diction as elevated or rarified. Hazen dispels that notion. She writes poetry that’s legible because it’s also real and relate-able. Notice, above, how her carefully chosen slang examples riff on the note sounded by the term’s first syllable (“ass-”). Am I right to think you won’t have any trouble remembering “assonance” from now on?
A Short Thought on Grace’s Interview with Jorie Graham (by Writer, Nin Andrews)
Nin Andrews is a poet. Most recently of Miss August which is out now from the awesome Cavankerry Press and most notably of the collection, Why God is a Woman. Nin Andrews is also a fan of Grace Cavalieri’s interview with Jorie Graham which she recently extolled over on ITN.
Featured Audio: The 2019 Maryland Poet Laureate Reads her Poem “Work is my Secret Lover”
Governor Hogan recently announced Maryland’s ninth Poet Laureate to be the incomparable Grace Cavalieri. In his press conference regarding the announcement he touched on her “lifelong” dedication to poetry, and this precisely is one of those defining characteristics of a great artist. ASP celebrated this aspect of Grace in her Legacy Book, Other Voices, Other Lives which is an atemporal sampling of her entire career to now, from poetry to prose, from plays to interviews with US Poets Laureate. It should come as no surprise to Mr. Hogan nor the careful reader of her works then that she has an almost religious dedication and inescapable fascination with her art and its many ingredients. As you we shall hear, in her poem “Work is my Secret Lover,” Poetry is the muse.
ASP Author’s Gift Guide for Book-Lovers (PART 3)
ASP Author’s Gift Guide for Book-Lovers Part 3: The Scholar, The Teacher, and The Godfather A Sampling of Music, Mythology, and Books that Touch the Heart Reuben Jackson Poet […]