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Home / home / Hazen Featured in New Article: “Baltimore: Great Poets Live Here”

Nov 11 2020

Hazen Featured in New Article: "Baltimore: Great Poets Live Here"

Poet, Elizabeth Hazen, and her second collection, Girls Like Us, are featured in this Fishbowl article exploring the poets of Baltimore

Elizabeth Hazen reads from her collection "Girls Like Us" at Baltimore's Atomic Books
Elizabeth Hazen reads from her collection "Girls Like Us" at Baltimore's Atomic Books

Poet, Elizabeth Hazen, is featured alongside other notable names in the Baltimore literary scene such as Dora Malech and Steven Leyva in this extolling article from Baltimore Fishbowl writer Jennie Hann.

Elizabeth Hazen, who has written several essays for the Fishbowl, released her latest collection, Girls Like Us, in March right before the upswing of the pandemic. Since then, GLU has received much critical acclaim garnering glowing reviews from publications such as The Literary Review, Lit Pub, and London Grip. Jennie Hann's article praises the feminist commentary of GLU and Hazen's incisive and economic style which "twist[s] the knife yet deeper." An excerpt follows below:

By day, Hazen teaches English at Calvert School. We’re told on good authority that her classes are “lit”—as in, exciting, turned on, ablaze. No accident, then, that Girls Like Us has been described as “poetry on fire.” From the first page, Hazen’s words burst into flame, lingering in the mind with explosive residue long after the book has been shut. Take, for instance, “Devices,” which opens the volume and sets its tone. On the surface, this is a conventional list poem, a series of mnemonics to help students learn poetic terms (also known as “devices”). Dry material? Wait until Hazen strikes the match between her teeth:

­ Assonance
repeats vowel sounds: hot bod, dumb slut, frigid bitch.

Even his line—“Girl, we’ll have a fine time”—
or her refusals—“No! Don’t!”

Just like that, a clever exercise becomes a meditation on the casual misogyny of everyday life and language. We often think of poetic diction as elevated or rarified. Hazen dispels that notion. She writes poetry that’s legible because it’s also real and relate-able. Notice, above, how her carefully chosen slang examples riff on the note sounded by the term’s first syllable (“ass-”). Am I right to think you won’t have any trouble remembering “assonance” from now on?

Read the Full article Purchase Girls Like Us Support the Press

Featured Audio: The 2019 Maryland Poet Laureate Reads her Poem “Work is my Secret Lover”

December 18, 2018

Governor Hogan recently announced Maryland’s ninth Poet Laureate to be the incomparable Grace Cavalieri. In his press conference regarding the announcement he touched on her “lifelong” dedication to poetry, and this precisely is one of those defining characteristics of a great artist. ASP celebrated this aspect of Grace in her Legacy Book, Other Voices, Other Lives which is an atemporal sampling of her entire career to now, from poetry to prose, from plays to interviews with US Poets Laureate. It should come as no surprise to Mr. Hogan nor the careful reader of her works then that she has an almost religious dedication and inescapable fascination with her art and its many ingredients. As you we shall hear, in her poem “Work is my Secret Lover,” Poetry is the muse.

ASP Author’s Gift Guide for Book-Lovers (PART 3)

December 14, 2018

ASP Author’s Gift Guide for Book-Lovers Part 3: The Scholar, The Teacher, and The Godfather A Sampling of Music, Mythology, and Books that Touch the Heart   Reuben Jackson Poet […]

Featured Audio: Mark A. Pritchard Reads More from “Billy Christmas”

December 11, 2018

“We have things to discuss” the Christmas tree says to Billy in the dark of the living room after bemoaning its fairy light binds. Billy’s mother is sick in bed, his father is missing, and the pine tree he was given by the charitable proprietor of his local stand is about to thrust him into a magical adventure which will color forevermore how he thinks about family and what it means to be an adult. Hear Mark A. Pritchard dramatize this important scene from his novel, Billy Christmas.

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