Reuben Jackson Makes Banshee Press’ 2020 Best Short Readings List
Jackson's poetry cycle, "Kelly's Love for Waltzes" (published by Boston Review) is chosen by Jaydn Dewald for the year-end list.
THIS YEAR, the Irish publisher, Banshee Press, asked its editors and contributors to pick "their favourite shorter reads of the year." Poet, Jaydn Dewald, whose work has appeared in Banshee and numerous other journals, chose Reuben Jackson's poetry cycle "Kelly's Love for Waltzes" for the list. The cycle was originally published by Boston Review and includes poems that utilize a waltz-like form, each line containing three words.
In "Kelly's Love for Waltzes" Reuben, who achieved considerable recognition for his narrative-driven poetry about lovers Khadijah and Amir, showcases a new voice, that of Kelly, loud and frustrated over racial inequality. Reuben's most recent collection Scattered Clouds features a plethora of his narrative and character-based poetry, and includes of all of his Khadijah and Amir poems. You can pick that up from ASP here.
Scattered Clouds is a volume of lyrical, emotionally forthright meditations on love, loss, and longing. The volume contains the complete text of the author’s award-winning first collection, fingering the keys; his nationally lauded poem, “For Trayvon Martin”; and his suite of ruminations on a long-time and deeply missed friend, the late barbershop owner Amir Yasin, and his widow Khadijah Rollins. These poems, exploring Amir’s late-life romance with Kadijah, became a national internet sensation.
An introduction by poet Abdul Ali places Jackson in his rightful context as a Black American poetry elder, who has influenced generations of younger poets with his musical wisdom as well as his poetry. Ali is a Cave Canem alum and the author of the poetry collection, Trouble Sleeping.
The World of Yesterday (Armistice Day, 2018)
My father always said that his first memory was of standing on the couch in his parent’s living room, small hands on the back cushion, peering out a picture widow at a neighborhood street in Bend, Oregon. There is a slow-moving line of cars and horse-drawn carriages inching its way down the lane. The line of cars is there every day, and every day he stands there and watches. His street is a long one and at the end of it is the cemetery. He is not allowed to go outside to play. Death is all anyone talks about. Death from a great flu epidemic. Death from a great war just ending. Everyone has lost someone. Most have lost a few. It is 1918…
Linda Watanabe McFerrin Interviewed for Author Matthew Felix’s Video Podcast
Author and poet Linda Watanabe McFerrin sat down with Matthew Felix, himself an author of some renown, for Matthew’s video podcast this last weekend. What follows is an in-depth, thoughtful, and often irreverent look at writing, life, travel, and zombies. And more, we get to hear many of the juicy details on Linda’s new Legacy Book due out from ASP in Autumn 2019…
Fact or Fiction
…And so it is for me, as I send an invented “namesake” into worlds I know vicariously but haven’t lived—Hollywood and hippies, communes and con artists, Woodstock and the Summer of Love. In the opening of Melanie’s Song, J.J. is poised at the edge of the Pacific reflecting on where she has been and where she is going. She is endowed with a deep and spiritual connection to a native place we share, but I am also setting her free to fly into her own undiscovered territory.