Rose Solari Reviews Three New Collections Exploring History and Identity
The WIROB critic tackles collections by Steven Leyva, Miles David Moore, and Stanley Moss in the January roundup
Rose Solari reviews three exemplar new poetry collections for Washington Independent Review of Books. In her ongoing poetry column, Solari takes great care to tie each of the collections she reviews together and the theme this month is history and identity.
From the beautifully drawn New Orleans of Steven Leyva's The Understudy's Handbook, to the WWII of Miles David Moore's Man on Terrace with Wine, and the deep knowledge and reverence for the history of poetry in Act V, Scene 1 by Stanley Moss, these three collections look at the foundations of history, art, love, and identity: "The Ground Beneath their Feet."
Rose Solari keeps a regular column where she reviews poetry for Washington Independent Review of Book. Her last review tackled the Selected Lucille Clifton and Henry Taylor.
Reuben Jackson Joins WPFW’s “The Sound of Surprise”
Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.
A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB
Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”