Rose Solari Reviews Three New Collections Exploring History and Identity
The WIROB critic tackles collections by Steven Leyva, Miles David Moore, and Stanley Moss in the January roundup
Rose Solari reviews three exemplar new poetry collections for Washington Independent Review of Books. In her ongoing poetry column, Solari takes great care to tie each of the collections she reviews together and the theme this month is history and identity.
From the beautifully drawn New Orleans of Steven Leyva's The Understudy's Handbook, to the WWII of Miles David Moore's Man on Terrace with Wine, and the deep knowledge and reverence for the history of poetry in Act V, Scene 1 by Stanley Moss, these three collections look at the foundations of history, art, love, and identity: "The Ground Beneath their Feet."
Rose Solari keeps a regular column where she reviews poetry for Washington Independent Review of Book. Her last review tackled the Selected Lucille Clifton and Henry Taylor.
New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”
In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”
New Poem by Elizabeth Hazen “Panic Attack” Lands in Failbetter
A new poem by Maryland standout Elizabeth Hazen has been published in the 62nd volume of Failbetter literary journal. The poem, titled “Panic Attack,” is dark and violent.
Attending AWP? Check out Katherine E. Young’s Panel on Women in Translation
Join Katherine E. Young at AWP to discuss women in translation and systems of exclusion.